Balson’s dialogue is stilted and his prose is workmanlike, but the survivor’s tale is the main attraction and does not...

KAROLINA'S TWINS

The third in Balson’s promising series about a husband-and-wife investigation team specializing in Holocaust cases.

Hard-bitten Chicago private eye Liam Taggart and his attorney wife, Catherine Lockhart, met while solving a Holocaust-related mystery in the first installment, Once We Were Brothers (2013). Now, as the pair is anticipating the imminent birth of their firstborn, they are contacted by Lena Woodward. A wealthy widow in her 80s, Lena hopes to locate the twin daughters of her friend Karolina, who perished during the Holocaust. Lena relates her story to Catherine incrementally throughout the book. Her survivor account becomes the main source of suspense, since she is reluctant to reveal the full horror of what she experienced until the end. Meanwhile, her son, Arthur, is suing for control of her affairs, claiming that Lena suffers from dementia. The basis for his petition for guardianship is his mother’s sudden obsession with an impossibly quixotic quest. At least that is the ostensible reason—Arthur’s real motivation, Catherine suspects, is that he fears his mother will dissipate his inheritance on a wild goose chase. We learn that Lena was orphaned after the Nazis occupied her small Polish town, Chrzanow, that she was assigned to work with Karolina in a coat factory in the ghetto, and that Karolina’s German lover kept the two girls supplied with enough food to survive. Ultimately, the ghetto is liquidated and the two girls are sent, again through the intervention of a sympathetic German, to Gross-Rosen, a less lethal—comparatively speaking—concentration camp. On the train, Karolina is warned that the Nazis will kill her infants upon arrival at the camp. The desperate measure the friends take to save the twins may have caused their deaths and has haunted Lena her entire life. Scenes involving a cantankerous probate judge demonstrate that Balson, a practicing Chicago attorney, knows his way around a courtroom.

Balson’s dialogue is stilted and his prose is workmanlike, but the survivor’s tale is the main attraction and does not disappoint.

Pub Date: Sept. 6, 2016

ISBN: 978-1-250-09837-5

Page Count: 320

Publisher: St. Martin's

Review Posted Online: June 22, 2016

Kirkus Reviews Issue: July 1, 2016

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Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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  • New York Times Bestseller

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ALL THE LIGHT WE CANNOT SEE

Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 6, 2014

Kirkus Reviews Issue: March 15, 2014

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A deeply satisfying novel, both sensuously vivid and remarkably poignant.

THE UNSEEN

Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.

Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.

A deeply satisfying novel, both sensuously vivid and remarkably poignant.

Pub Date: April 7, 2020

ISBN: 978-1-77196-319-0

Page Count: 272

Publisher: Biblioasis

Review Posted Online: Jan. 13, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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