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LAST HOUSE ON THE ROAD

EXCURSIONS INTO A RURAL PAST

The reclamation of an 18th-century New Hampshire farmstead over the past 25 years provides an enchanting ``natural sequel'' to Eighty Acres, the author's popular 1990 memoir of growing up on a Michigan farm. Jager, a former Yale philosophy professor, and his wife bought the Cape Codstyle farmhouse and 100 acres near Washington, N.H., in 1966. Though they did not move in full-time until the late 1970s, renovation began almost immediately, as did Jager's research into the place and the surrounding community. They christened the spread ``Lovellwood,'' after the mountain that looms over the property. The house had been abandoned for years, and the woods were beginning to reclaim pastures and meadows, while some sections simply lay fallow. Jager learned that Ebenezer Wood, a Revolutionary War Minuteman, was the ``original settler'' on the place in 1780, or '81. When he began work on the interior, he discovered Wood's original framing—``built to last forever''—of pine, spruce, and hemlock beams, held together by oak treenails, or trunnels, as they were called. He exposed those beams, removing layers of wallpaper and cow-hair- and horsehair-bound plaster. Jager also discovered (while mowing the lawn) the original hearthstones Wood had chiseled from the local granite. They had been ``ditched'' by the Powers family, who'd bought the place in 1857, when they remodeled at the turn of the century. While the refurbishing of the house is the central topic, Jager also offers a look at contemporary country living and rural New England politics. He strings together several lovely natural history pieces, such as his eloquent proclamation on his love for the woods; his fond, reasoned farewell to deer hunting; and his cornucopian description of the forest's encroachment on a lush meadow he's trying to save. A joy: like getting a letter from a modern-day Thoreau, one who takes sensual pleasure in writing, and has his feet planted firmly on the soil.

Pub Date: Oct. 18, 1994

ISBN: 0-8070-7062-9

Page Count: 288

Publisher: Beacon Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1994

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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