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ANNE FRANK

SILENT WITNESSES

A by-the-book study of Anne Frank’s life that doesn’t quite capture a new side to her story.

An exploration of the places and people that shaped Holocaust victim Anne Frank.

Jansen’s (Anne Frank: 80 Years, 2011) biography centers on Frank and her family, but it differs from many other Frank bios in its concern with what Jansen calls “silent witnesses”—chiefly, the physical spaces in which Frank lived. Jansen begins his narrative with brief, sometimes-simplistic personal anecdotes about his own introduction to the Holocaust (“Her murder just because she was Jewish leaves a very bitter taste in my mouth. Her life was nipped in the bud”). He then discusses Germany’s past treatment of Jews: Napoleon, he writes, “established equal rights for Jews in Germany” in 1806, but after World War I, Jews had become scapegoats for Germany’s defeat. Jansen then shifts his focus to the Frank family, and specifically their homes before they went into hiding, which he tracked down and visited himself. At a house in Frankfurt where they lived from 1931 to 1933, for example, he compares past photos to what’s currently there (“There is more overgrowth at the back of the house now”). He visits the grave of Rosa Hollander, Frank’s beloved grandmother, and determines that it “still looks well taken care of…there are hardly any traces of decay.” The author then visits the Camp Westerbork detention camp and the Bergen-Belsen concentration camp. Throughout, the details are exhaustive, thoroughly researched and footnoted. However, although the travels are interesting, it’s often missing an emotional component. The book becomes so concerned with place descriptions that it sometimes seems as if the Frank family is beside the point; the book could just as well be a pre- and postwar urban architectural survey. Jansen writes of his intent to “record Anne’s life, not by means of a biography or a book containing old photographs.” Ultimately, however, that’s just what he’s produced.

A by-the-book study of Anne Frank’s life that doesn’t quite capture a new side to her story.

Pub Date: March 1, 2014

ISBN: 978-9490482084

Page Count: 294

Publisher: RWJ-Publishing

Review Posted Online: Aug. 4, 2014

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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