MEMOIRS OF LETICIA VALLE

First published in 1945 and now making its US debut: in luminous prose, an elliptical tale of seduction from one of Spain's leading women writers. Set between the wars in provincial Spain, the story is related by an 11-year-old girl who, while precocious in vocabulary, is still a child in understanding, which makes her seduction by her tutor quite credible. This ``inconceivable act'' is recalled a year later because the narrator, now separated from everything she worshipped—``as if those things had hurt me''—decides to write everything down ``so they will never be erased in my memory.'' The only daughter of a man badly wounded fighting in Africa—her mother's absence is never fully explained—she lives with her father and aunt. An observant child, she determines the cause of her father's slurred speech by daily measuring the household cognac. The family moves to the small town of Simancas, a place where her father ``could get some fresh air without having to make such an effort.'' Here, Leticia attends embroidery classes given by the local mistress, puzzles over her father and aunt's unease, and explores the town, but it is her meeting with Donna Luisa that will transform her life. A young mother and musician, Donna Luisa has a quality that Leticia calls ``worldly, which was nothing other than a perfect ease about everything in the world.'' The two become close friends, and it seems fitting that husband Daniel, the local archivist, tutor the young girl. It is her evolving relationship with Daniel that Leticia, limited by knowledge and experience, tries to understand and describe as it moves to its inevitable and desired consummation. A close read, but ultimately rich and rewarding in its sensitively nuanced evocation of awakening sexuality and passion. A notable debut.

Pub Date: March 1, 1994

ISBN: 0-8032-1456-1

Page Count: 200

Publisher: Univ. of Nebraska

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 1, 1994

Did you like this book?

No Comments Yet

The phrase “tour de force” could have been invented for this audacious novel.

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2015

  • Kirkus Prize
  • Kirkus Prize
    winner

  • National Book Award Finalist

A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

Did you like this book?

ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

Did you like this book?

more