It's easy to see why this caustic, cleareyed novel—Montero's English-language debut—was a bestseller in Spain four years after Franco's death in 1975. It offers a woman's view of a society in transition from dictatorship to democracy, and breaks the taboos on talk about abortion, contraception, virginity, gay sex, and orgasms real or faked. Ana, the protagonist, is a single mother and free-lance journalist with a crush on her boss, a smug publishing magnate with a growing empire. Her friend Candela is a single mother and psychologist in love with a married man. Their pal Cecilio is a gay architect in love with a string of adolescent hustlers who break his heart. Gay men and straight women struggle to reinvent themselves in the new post-Franco society. They haven't a clue how to do it, but at least they're alive; they feel—mostly pain—and they have a sense of humor and solidarity. Meanwhile, straight men, whether climbers or dropouts, secure in the leading roles machismo still assigns them, continue to sleepwalk through life. Montero's women are not on the verge of nervous breakdown but in a perpetual slow boil. The narrative glides, diary-like, through a year in the life of Ana and her circle: underpaid work, pub crawls, parties, divorce, cancer, suicide, and anomie have replaced the waves of repression and rebellion that gave shape to the late Franco years. A disillusioned communist, a drunken civil-war anarchist, a Basque separatist destroyed by prison and torture, a band of pathetic belated hippies—all make their appearance. Sociologically fascinating but, as literature, predictable. The isolation of each from each is irremediable, except perhaps through art; and, in the end, Ana gives up on love and decides to write a book instead: the one we've just been reading. A tidy ending for a sometimes daring, sometimes timid account of social upheaval in late 20th-century Europe.
Pub Date: Dec. 5, 1991
ISBN: 0-8032-3141-5
Page Count: 189
Publisher: Univ. of Nebraska
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1991
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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