by Rosalind Miles ‧ RELEASE DATE: July 1, 2000
The best kind of historical fiction, with characters that ignore the heavy hand of history and instead live their own full...
A literate, wonderfully written, alluring tale, the second in a trilogy (after Guenevere: Queen of the Summer Country), offers a subtle feminist interpretation of the Arthurian legends as it continues the story of Guenevere, forced to choose between love and duty for the sake of her kingdom.
Luminously evoking the sunny uplands of the Summer Country, the splendors of Camelot, and the dark woods where the evil Morgan lurks, Miles celebrates a woman, a queen in her right, and the equal partner of Arthur. Now in her mid-30s, Guenevere is both a mother mourning the death of her only child and a wife taking the measure of her husband—and finding him, despite his many virtues, flawed. Exercising her prerogative, as hereditary Queen of the Summer Country, to choose her own knights, she has turned in love to Lancelot, the Knight of the Sacred Lake, but she is also loyal to Arthur. As high king, he united the smaller kingdoms to defeat the Saxons, but in turn he is now threatened by jealous knights and the vengeful Morgan, his half-sister. A good but not especially intelligent man, Miles’s Arthur was seduced by Morgan and bore him a son, Mordred, the sole heir to the Pendragon dynasty. As Guenevere, accused of murder and witchcraft by the Christians, who scorn the old ways of the goddess, is put on trial, Merlin travels the land in search of Mordred, and Arthur is grievously wounded by a knight serving Morgan. He rallies, but Morgan, whose father was killed by Uther, Arthur’s father, is bent on more mischief. A distraught Guenevere sends Lancelot away and, heartbroken, visits the Lady of the Lake, the ruler of Avalon and guardian of the sacred treasures of the goddess. There, she is comforted by the Lady’s predictions and returns to Camelot, Arthur, and what is to come.
The best kind of historical fiction, with characters that ignore the heavy hand of history and instead live their own full and complex lives. A terrific read.Pub Date: July 1, 2000
ISBN: 0-609-60623-9
Page Count: 432
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2000
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by Rosalind Miles and Robin Cross
BOOK REVIEW
by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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SEEN & HEARD
SEEN & HEARD
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by Heather Morris ‧ RELEASE DATE: Sept. 4, 2018
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
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An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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