by Rosalind Miles ‧ RELEASE DATE: Feb. 2, 2021
Herstory with a dash of sarcasm and a wide global and chronological reach.
English novelist and journalist Miles celebrates women’s achievements—some worthy and others dubious—from the French Revolution to the age of #MeToo.
Are feminists running out of neglected trailblazers to hold up for overdue praise? Readers may wonder after reading this curious narrative paean to myriad “extraordinary women” who have “banded together to remake our world.” The author begins with three underappreciated heroines of the French Revolution: Olympe de Gouges, a writer guillotined for sins that included protesting injustices to women; Théroigne de Méricourt, a revolutionary known for “striding around town in a man’s riding clothes and sporting a large hat with a flamboyant phallic plume”; and Pauline Léon, a champion of women’s right to bear arms. Others who merit their entries include Patyegarang, an 18th-century Indigenous woman of Australia’s Eora nation who helped to create the first written record of “the Aboriginal Language of Sydney”; and Katō Shidzue, a Japanese feminist who brought Margaret Sanger to Japan when her country classified ideas about birth control as “dangerous thoughts.” Yet it’s hard to fathom why, among political figures, the author taps Imelda Marcos and Jiang Qing (“Madame Mao”) but not Golda Meir, or why, among aerospace pioneers, she nods to Hitler’s personal pilot, Hanna Reitsch (who embraced “Nazi theories of racial purity”), but not Amelia Earhart or Russian cosmonaut Valentina Tereshkova. Miles’ tone sometimes does a disservice to her subjects, as she ranges from matter-of-fact declaration to sarcastic dismissal—e.g., when she corrects herself after mentioning Vietnam’s “French invaders”: “sorry, colonists delivering the benefits of civilization.” Still, this fact-packed chronicle may appeal to younger readers or those seeking a more playful, anecdotal approach to women’s history. The book ends with “The Women’s Manifesto for Equality,” of perhaps less interest to American women than to their sisters in places where feminism still lacks traction.
Herstory with a dash of sarcasm and a wide global and chronological reach.Pub Date: Feb. 2, 2021
ISBN: 978-0-06-244403-5
Page Count: 432
Publisher: Morrow/HarperCollins
Review Posted Online: Oct. 26, 2020
Kirkus Reviews Issue: Nov. 15, 2020
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by Rosalind Miles and Robin Cross
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Shavone Charles ; illustrated by Ashley Lukashevsky
by Leo Baker ; illustrated by Ashley Lukashevsky
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