A biographical novel with an overly reverential tone but filled with intriguing historical tidbits.

AMERICA'S FORGOTTEN FOUNDING FATHER

A NOVEL BASED ON THE LIFE OF FILIPPO MAZZEI

Welch’s (Why the Monkees Matter, 2016, etc.) historical novel pays tribute to the real-life Filippo Mazzei, an Italian surgeon, merchant, revolutionary, and writer who was friends with Benjamin Franklin and Thomas Jefferson.

Mazzei is born on Christmas Day, 1730, in the small Tuscan town of Poggio a Caiano, the third son of a mother whose love and devotion were reserved for her firstborn, Jacopo. Fortunately, Mazzei’s paternal grandfather is a kind, generous role model through his first seven years. And the sting of his mother’s favoritism for Jacopo, a manipulative thief, serves Mazzei well, propelling him into a life of adventure and accomplishment: “I will spend the rest of my life proving you have given all your love to the wrong son,” he tells his mother. He studies medicine in Florence, then moves to the port city of Livorno to practice. Even as a child, he’d begun questioning the injustices in life, but in Livorno, he begins interacting with a wide circle of intellectuals with whom he debates history and philosophy. Eventually, he moves to London and opens a shop in 1764, establishing himself as a successful importer. More critically, he meets Benjamin Franklin; it’s a connection that leads to Mazzei’s 1773 voyage to the American Colonies, where he builds his new home adjacent to that of Thomas Jefferson—just in time for the American Revolution. Welch’s volume rests somewhere between novel and biography, lacking the dramatic passion of the former and the cited source material of the latter. Still, she offers an unusual, if at times hagiographic, portrait of a man whose importance to the founding of the United States has indeed been generally overlooked. Most intriguing are the sections detailing Mazzei’s close friendship with Jefferson, which led the two to work together on the text of the Declaration of Independence. Their wide-ranging conversations, as depicted by Welch, reveal as much about Jefferson as they do about Mazzei; they include the latter’s long-held belief in equality and justice as well as their shared interests in agriculture, architecture, language, and religion.

A biographical novel with an overly reverential tone but filled with intriguing historical tidbits.

Pub Date: Jan. 16, 2018

ISBN: 978-1-947431-07-2

Page Count: 260

Publisher: Barbera Foundation

Review Posted Online: March 24, 2018

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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