Tremain studied with the late Angus Wilson, and the influence of his fertile imagination has clearly helped shape, and...

MUSIC AND SILENCE

Versatile British author Tremain's eighth novel (after The Way I Found Her, 1998) is the stuff of which fairy-tales are spun, though it also exhibits a compelling psychological and moral density.

The tale begins in 1629 as Peter Claire, a young English "lutenist'' who’s been summoned to the court of King Christian IV, arrives in Denmark to become the newest member of the royal orchestra. Then, in a skillfully presented array of increasingly interlocking narratives (each keyed to a different character's consciousness), Tremain explores a considerable range of human responses to, and involvements with, the overt expressiveness of "music'' and the "silence'' that pervades hearts and minds given to introversion and secrecy. The tale of Christian's embattled boyhood and sudden ascension to the throne—a sort of Hans Christian Andersen fable of a mind eagerly expanding, then possessively contracting— brilliantly dramatizes a hungry spirit's resolute perfectionism. The "confessions'' of Christian's adulterous consort Kirsten (petulantly recorded in her "private papers'') vividly portrays an antic superego that thrives on selfindulgence and subterfuge. And the parallel tale of the love between Peter Claire and Kirsten's favorite handmaiden, Emilia, who’s also been traumatized by a complex legacy of intrigue and lust—ironically echoes the royal drama to which it is gradually, ingeniously linked. Not all the connections here work quite so effectively (the story of Danishborn Countess O'Fingal, for example, whose Irish husband is destroyed by his obsession with a heavenly melody heard only in his dreams feels redundant and contrived). But Tremain's deepening characterization of King Christian—both as an incarnation of acquisitiveness who believes in his own divine right, and a sensitive seeker of higher things—is masterly and, ultimately, very moving.

Tremain studied with the late Angus Wilson, and the influence of his fertile imagination has clearly helped shape, and energize, her own. Music & Silence may be her best yet.

Pub Date: April 1, 2000

ISBN: 0-374-19989-2

Page Count: 480

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 15, 2000

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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King fans won’t be disappointed, though most will likely prefer the scarier likes of The Shining and It.

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THE INSTITUTE

The master of modern horror returns with a loose-knit parapsychological thriller that touches on territory previously explored in Firestarter and Carrie.

Tim Jamieson is a man emphatically not in a hurry. As King’s (The Outsider, 2018, etc.) latest opens, he’s bargaining with a flight attendant to sell his seat on an overbooked run from Tampa to New York. His pockets full, he sticks out his thumb and winds up in the backwater South Carolina town of DuPray (should we hear echoes of “pray”? Or “depraved”?). Turns out he’s a decorated cop, good at his job and at reading others (“You ought to go see Doc Roper,” he tells a local. “There are pills that will brighten your attitude”). Shift the scene to Minneapolis, where young Luke Ellis, precociously brilliant, has been kidnapped by a crack extraction team, his parents brutally murdered so that it looks as if he did it. Luke is spirited off to Maine—this is King, so it’s got to be Maine—and a secret shadow-government lab where similarly conscripted paranormally blessed kids, psychokinetic and telepathic, are made to endure the Skinnerian pain-and-reward methods of the evil Mrs. Sigsby. How to bring the stories of Tim and Luke together? King has never minded detours into the unlikely, but for this one, disbelief must be extra-willingly suspended. In the end, their forces joined, the two and their redneck allies battle the sophisticated secret agents of The Institute in a bloodbath of flying bullets and beams of mental energy (“You’re in the south now, Annie had told these gunned-up interlopers. She had an idea they were about to find out just how true that was"). It’s not King at his best, but he plays on current themes of conspiracy theory, child abuse, the occult, and Deep State malevolence while getting in digs at the current occupant of the White House, to say nothing of shadowy evil masterminds with lisps.

King fans won’t be disappointed, though most will likely prefer the scarier likes of The Shining and It.

Pub Date: Sept. 10, 2019

ISBN: 978-1-9821-1056-7

Page Count: 576

Publisher: Scribner

Review Posted Online: Aug. 4, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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