by Roseanne Thong and illustrated by Eujin Kim Neilan ‧ RELEASE DATE: Jan. 15, 2010
At the gates of the Buddhist temple, Mai sees a cage full of sparrows for sale. Without the money to buy and release them, she offers to feed them. Thu, another little girl, helps and takes heed of Mai’s whispered “Fly, free, fly free, / in the sky so blue. / When you do a good deed, / it will come back to you.” Thu later gives her beautiful red slippers to another little girl with a cut foot. The “wheel of kindness” continues to turn, with various characters doing something good for someone else until a father, grateful that his son has recovered from illness, approaches the temple to pray, sees and purchases the cage and, to Mai’s joy, sets the sparrows free. Buddhist tradition and belief in reincarnation reflects the idea that one’s actions, good or bad, affect one’s rebirth. The smoothly written circular narrative with its reverent message is authenticated by Neilan’s muted watercolors, which are rendered on light tan board and softly depict a Vietnamese countryside peopled by folk wearing conical hats and traditional dress. (Picture book/religion. 4-7)
Pub Date: Jan. 15, 2010
ISBN: 978-1-59078-550-8
Page Count: 32
Publisher: Boyds Mills
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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by Eileen Spinelli ; illustrated by Archie Preston ‧ RELEASE DATE: Sept. 1, 2015
Low-key and gentle; a book to be thankful for.
Spinelli lists many things for which people are thankful.
The pictures tell a pleasing counterpoint to this deceptively simple rhyme. It begins “The waitress is thankful for comfortable shoes. / The local reporter, for interesting news.” The pictures show a little girl playing waitress to her brother, who playacts the reporter. The news gets interesting when the girl trips over the (omnipresent) cat. As the poem continues, the Caucasian children and their parents embody all the different roles and occupations it mentions. The poet is thankful for rhyme and the artist, for light and color, although the girl dancer is not particularly pleased with her brother’s painterly rendition of her visual art. The cozy hotel for the traveler is a tent for the siblings in the backyard, and the grateful chef is their father in the kitchen. Even the pastor (the only character mentioned who is not a family member) is grateful, as he is presented with a posy from the girl, for “God’s loving word.” The line is squiggly and energetic, with pastel color and figures that float over white space or have whole rooms or gardens to roam in. Both children, grateful for morning stories, appear in a double-page spread surrounded by books and stuffed toys as their mother reads to them—an image that begs to be a poster.
Low-key and gentle; a book to be thankful for. (Picture book. 4-7)Pub Date: Sept. 1, 2015
ISBN: 978-0-310-00088-4
Page Count: 32
Publisher: Zonderkidz
Review Posted Online: May 17, 2015
Kirkus Reviews Issue: June 15, 2015
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by Suma Subramaniam ; illustrated by Sandhya Prabhat ‧ RELEASE DATE: Oct. 11, 2022
Visually appealing but doesn’t capture the spirit of namaste.
What does it mean to say namaste?
This picture book attempts to explain this traditional, formal greeting used in South and Southeast Asia to welcome people and bid them farewell—in particular, as a way to show respect to elders. A child with dark hair, dark eyes, deep-brown skin, and a bindi on their forehead goes to a market with their caregiver and buys a potted plant to give their lonely, lighter-skinned neighbor. Vibrant, textured illustrations depict a blossoming friendship between the little one and the neighbor, while a series of statements describe what namaste means to the child. However, the disjointed text makes the concept difficult for young readers to grasp. Some statements describe namaste in its most literal sense (“Namaste is ‘I bow to you.’ " “Namaste is joining your palms together”), while others are more nebulous (“A yoga pose. A practice.” “Namaste calms your heart when things aren’t going right”). The lack of backmatter deprives readers of the cultural context and significance of this greeting as well as knowledge of the countries and cultures where it is used. Moreover, the book doesn’t convey the deep respect that this greeting communicates. The absence of culturally specific details and the framing of namaste as a concept that could apply to almost any situation ultimately obscure its meaning and use. (This book was reviewed digitally.)
Visually appealing but doesn’t capture the spirit of namaste. (Picture book. 4-6)Pub Date: Oct. 11, 2022
ISBN: 978-1-5362-1783-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: Oct. 25, 2022
Kirkus Reviews Issue: Nov. 15, 2022
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