Very human in its scale, concerns, and aspirations: the kind of story that could light a fire under a reader’s dream of...

LIFE IN A POSTCARD

ESCAPE TO THE FRENCH PYRENEES

Travel writer Bailey vividly describes moving her family from England to the French Pyrenees.

Early in this story, as the author tells of fixing up her newly purchased, 16th-century monastery with ochre lime mortar and terracotta tiles, readers may dread the prospect of yet another winsome tale of a delicious rural hideaway discovered by a vacationing couple and renovated by a force of colorful local artisans into the perfect bijou residence. But anyone who read Bailey’s account of her brother’s death (Scarlet Ribbons: A Priest with AIDS, 1998) will know there’s no danger of sentimentality. She fully delves into the act of living in a decrepit monastery. As she and her husband chip away at plaster in an effort to expose the original design, she tries to imagine what it was like to live there as a member of the brotherhood of Servites (“an Italian order dedicated to the sorrow of the Virgin Mary”) or as the hermit who kept the candles burning for the dead and rang the bells to scare away thunderstorms and witches. She becomes familiar with the local peach farmers (squabbling with some of them) and with the nouveaux paysans, an international band of slow-living, artful people who live in the hills of the region. She contends with the everyday aggravations—rampant brambles, rats in the attic, her newly developed hay fever—along with the everyday pleasures: her son's new school, Catalan food, the experience of living in a new place, which keeps her alert to everything from changes in the seasonal light to learning the common courtesies. All this while she has to work to pay the bills and ensure the well-being of her son, whom she feels guilty about having so rudely uprooted.

Very human in its scale, concerns, and aspirations: the kind of story that could light a fire under a reader’s dream of flight to the warm south.

Pub Date: May 15, 2003

ISBN: 0-553-81341-2

Page Count: 336

Publisher: Bantam UK/Trafalgar

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 15, 2003

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WHAT A WONDERFUL WORLD

A LIFETIME OF RECORDINGS

Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A LITTLE HISTORY OF POETRY

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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