by Rosemary Bailey ‧ RELEASE DATE: May 15, 2003
Very human in its scale, concerns, and aspirations: the kind of story that could light a fire under a reader’s dream of...
Travel writer Bailey vividly describes moving her family from England to the French Pyrenees.
Early in this story, as the author tells of fixing up her newly purchased, 16th-century monastery with ochre lime mortar and terracotta tiles, readers may dread the prospect of yet another winsome tale of a delicious rural hideaway discovered by a vacationing couple and renovated by a force of colorful local artisans into the perfect bijou residence. But anyone who read Bailey’s account of her brother’s death (Scarlet Ribbons: A Priest with AIDS, 1998) will know there’s no danger of sentimentality. She fully delves into the act of living in a decrepit monastery. As she and her husband chip away at plaster in an effort to expose the original design, she tries to imagine what it was like to live there as a member of the brotherhood of Servites (“an Italian order dedicated to the sorrow of the Virgin Mary”) or as the hermit who kept the candles burning for the dead and rang the bells to scare away thunderstorms and witches. She becomes familiar with the local peach farmers (squabbling with some of them) and with the nouveaux paysans, an international band of slow-living, artful people who live in the hills of the region. She contends with the everyday aggravations—rampant brambles, rats in the attic, her newly developed hay fever—along with the everyday pleasures: her son's new school, Catalan food, the experience of living in a new place, which keeps her alert to everything from changes in the seasonal light to learning the common courtesies. All this while she has to work to pay the bills and ensure the well-being of her son, whom she feels guilty about having so rudely uprooted.
Very human in its scale, concerns, and aspirations: the kind of story that could light a fire under a reader’s dream of flight to the warm south.Pub Date: May 15, 2003
ISBN: 0-553-81341-2
Page Count: 336
Publisher: Bantam UK/Trafalgar
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2003
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by Charlayne Hunter-Gault ‧ RELEASE DATE: Nov. 1, 1992
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
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by John Carey ‧ RELEASE DATE: April 21, 2020
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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by David Hajdu ; illustrated by John Carey
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by John Carey
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by John Carey
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