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OFFICER QUALITY

In another of her novels featuring a strong-willed heroine, Enright (The Walled Garden, 1993, etc.)herself a former member of the British Women's Army Corpsputs a feminist spin on the generational pull of the army. Esme Hansard, the orphaned child of decorated WW II heroes, has been raised by her aunt Alice, also a celebrated officer. When of age, then, Esme follows in her family's footsteps and joins the Women's Royal Army Corps. Thanks to her prestigious military background, as well as the strength of character she's inherited from her mother and aunt, Esme is capable and confident but appears a threat to intimidated superiors who constantly harass and abuse her. While battling the forces conspiring against her, she falls in love with Clive Carson, a snobbish officer in the Household Cavalry, who breaks her heart when he leaves her for a socially prominent woman. The last straw comes, though, when she's sent to the forbidding North Country and subjected to severe humiliation at the hands of the all-male barracks. Falsely accused of insubordination, she's put on six months' probation and decides, in disgust, to leave the army forever. Fortunately (it seems), she meets and marries Ivor Llewellyn, with whom she has a daughter, Vonnie, and for a short time lives happily. But when Ivor, guided by rank-climbing aspirations, becomes insufferably domineering, Esme divorces him, sends Vonnie to live with Aunt Alice, and becomes a reporter on the front lines of a war in East Arabia. The cycle will continue, as Enright establishes in the final pages: Vonnie is fighting in the Gulf War, and Esme is where she was born to be: by her daughter's side in the army. Despite a preponderance of technical army-speak, the independent, charismatic Esme shoulders the narrative with aplomb.

Pub Date: Oct. 17, 1995

ISBN: 0-312-13575-0

Page Count: 336

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1995

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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LOVE AND OTHER WORDS

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.

Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Pub Date: April 10, 2018

ISBN: 978-1-5011-2801-1

Page Count: 416

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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