Next book

FLAME-COLORED TAFFETA

The preeminent master of British historical fiction for young people turns her hand to the 18th century, a story of smugglers on the Sussex coast and an emissary of Bonnie Prince Charlie. Damaris, farmer's daughter, and Peter, vicar's son, are secretly nursing an injured vixen in an abandoned woodland cottage; when Damaris finds a wounded man nearby, they assume he's a smuggler. Enlisting the aid of Genty, the wise woman and healer, they house him with the vixen, extricate a bullet, and do their best to nurse him. The man calls himself Tom Wildgoose, and he carries letters for the lost cause to which he is ruefully loyal. The vixen, cured, runs free; when the squire's hounds trail her to the cottage, endangering Damaris, Tom heroically poses as a French smuggler and is captured. His subsequent escape is exciting but bittersweet: Damaris never sees him again, but five years later he sends her, as promised, flame-colored taffeta for her wedding petticoat. In Sutcliff's hands, this conventional plot is transformed by skillfully evocative use of historical detail, deft orchestration of characters and events, and balanced, economical use of language. Both lively adventure and love story, it should find a wider audience than books she has set in the more distant past.

Pub Date: Nov. 19, 1986

ISBN: 0374423415

Page Count: 129

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 10, 2012

Kirkus Reviews Issue: Oct. 15, 1986

Next book

A SITTING IN ST. JAMES

A marathon masterpiece that shares a holistic portrait of U.S. history that must not be dismissed or forgotten.

An unblinking view into plantation life in the Deep South.

At first glance this epic seems to be focused on the ups and downs of the Guilbert family, slaveholders living in the Louisiana parish of St. James whose legacy is protected by 80-year-old matriarch Madame Sylvie Bernardin de Maret Dacier Guilbert. However, Williams-Garcia doesn’t stop in the salons and sitting rooms; she brings readers into the cabins and cookhouses of enslaved people whose perceived invisibility gives them access to ideas and knowledge that empower them in ways that few fiction writers have examined. Sixteen-year-old Thisbe is the personal servant to Madame Guilbert—treated like a pet and beaten with a hairbrush for the smallest alleged slight. Her narrative to liberation is intricately webbed within the story of the Guilberts. Thisbe’s silence helps her acquire the language to affirm her humanity to those who would deny it. With a cast of characters whose assorted genealogies feel like an ode to the mixing of peoples and cultures in Louisiana, this story broadens and emboldens interrogations of U.S. chattel slavery. Williams-Garcia’s meticulous research processes shout volumes about the importance of taking contemporary inspiration into the archives to unearth sorely needed truths as we continue to navigate questions of equity and justice for the descendants of enslaved people.

A marathon masterpiece that shares a holistic portrait of U.S. history that must not be dismissed or forgotten. (author's note, bibliography) (Historical fiction. 15-adult)

Pub Date: May 25, 2021

ISBN: 978-0-06-236729-7

Page Count: 480

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: March 2, 2021

Kirkus Reviews Issue: March 15, 2021

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • New York Times Bestseller

Next book

SALT TO THE SEA

Heartbreaking, historical, and a little bit hopeful.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • New York Times Bestseller

January 1945: as Russians advance through East Prussia, four teens’ lives converge in hopes of escape.

Returning to the successful formula of her highly lauded debut, Between Shades of Gray (2011), Sepetys combines research (described in extensive backmatter) with well-crafted fiction to bring to life another little-known story: the sinking (from Soviet torpedoes) of the German ship Wilhelm Gustloff. Told in four alternating voices—Lithuanian nurse Joana, Polish Emilia, Prussian forger Florian, and German soldier Alfred—with often contemporary cadences, this stints on neither history nor fiction. The three sympathetic refugees and their motley companions (especially an orphaned boy and an elderly shoemaker) make it clear that while the Gustloff was a German ship full of German civilians and soldiers during World War II, its sinking was still a tragedy. Only Alfred, stationed on the Gustloff, lacks sympathy; almost a caricature, he is self-delusional, unlikable, a Hitler worshiper. As a vehicle for exposition, however, and a reminder of Germany’s role in the war, he serves an invaluable purpose that almost makes up for the mustache-twirling quality of his petty villainy. The inevitability of the ending (including the loss of several characters) doesn’t change its poignancy, and the short chapters and slowly revealed back stories for each character guarantee the pages keep turning.

Heartbreaking, historical, and a little bit hopeful. (author’s note, research and sources, maps) (Historical fiction. 12-16)

Pub Date: Feb. 2, 2016

ISBN: 978-0-399-16030-1

Page Count: 400

Publisher: Philomel

Review Posted Online: Nov. 2, 2015

Kirkus Reviews Issue: Nov. 15, 2015

Close Quickview