In multiple ways, this is a refreshing representation of a nearly universal experience.
Everyone saw when Fiona had an accident. She should have gone to the bathroom sooner. Will her entire class laugh at her for the next 50 years?
Searching the topic of toilet “accidents” in children’s picture books, the cupboards seem bare in addressing the embarrassment of older children in a compassionate way. The shelves overflow with toddler books on potty training, giving up diapers, and the subject of poop. Wells’ Felix and Fiona series has taken on bullying and lying and now tackles bladder issues. Show-and-tell is, of course, the most exciting day of the elementary school year. Fiona and Felix cannot wait to present the volcano they have built themselves. On every page, Fiona is given the opportunity to use the bathroom, which she declines time after time. The tension slowly builds until the volcano literally explodes. The mortified Fiona quarantines herself in shame. Felix finds her. With the steady and sympathetic hand that brought Max and Ruby to life, Wells imbues these guinea pigs with the complex human emotion of embarrassment and provides the kind and gentle response that brings relief. Children will hear the message that accidents will soon be forgotten. Compassion is also shown with the depiction of both boy and girl (guinea pig) symbols on the gender-neutral bathroom’s door.
In multiple ways, this is a refreshing representation of a nearly universal experience. (Picture book. 5-8.)Pub Date: Jan. 2, 2018
ISBN: 978-0-7636-8982-7
Page Count: 32
Publisher: Candlewick
Review Posted Online: Oct. 9, 2017
Kirkus Reviews Issue: Nov. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Embedded in this heartwarming story of doing the right thing is a deft examination of the pressures of income inequality on...
Continuing from their acclaimed Those Shoes (2007), Boelts and Jones entwine conversations on money, motives, and morality.
This second collaboration between author and illustrator is set within an urban multicultural streetscape, where brown-skinned protagonist Ruben wishes for a bike like his friend Sergio’s. He wishes, but Ruben knows too well the pressure his family feels to prioritize the essentials. While Sergio buys a pack of football cards from Sonny’s Grocery, Ruben must buy the bread his mom wants. A familiar lady drops what Ruben believes to be a $1 bill, but picking it up, to his shock, he discovers $100! Is this Ruben’s chance to get himself the bike of his dreams? In a fateful twist, Ruben loses track of the C-note and is sent into a panic. After finally finding it nestled deep in a backpack pocket, he comes to a sense of moral clarity: “I remember how it was for me when that money that was hers—then mine—was gone.” When he returns the bill to her, the lady offers Ruben her blessing, leaving him with double-dipped emotions, “happy and mixed up, full and empty.” Readers will be pleased that there’s no reward for Ruben’s choice of integrity beyond the priceless love and warmth of a family’s care and pride.
Embedded in this heartwarming story of doing the right thing is a deft examination of the pressures of income inequality on children. (Picture book. 5-8)Pub Date: Oct. 4, 2016
ISBN: 978-0-7636-6649-1
Page Count: 40
Publisher: Candlewick
Review Posted Online: July 19, 2016
Kirkus Reviews Issue: Aug. 1, 2016
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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