THE WELCOME CHAIR

One legendary author/illustrator turns to a family story to celebrate immigration to America; another illustrates it.

In 1823, Wells’ great-great-grandfather, a talented woodcarver, leaves Bavaria to escape his father’s Orthodox Judaism and lands in New York City. While working as a bookkeeper, he fashions a rocking chair with Willkommen carved into its back. Resettling in Prairie du Chien, Wisconsin, with the chair, he begins a family, carving new words for welcome in both Hebrew and English. The chair then journeys with his daughter back to New York, where Fáílte, Irish for welcome, is added when the chair is given to an Irish servant as a wedding gift. Years later, the family story having ended, Wells turns to political turmoil and natural disaster to continue the chair’s history. Dominican nuns fleeing the Trujillo dictatorship carve Bienvenido; a Black physician brings home a baby from Haiti after its devastating earthquake and adds Akeyi. To round out the saga, a girl named Amira coming to America from a “distant land destroyed by war” is welcomed by new friends, that same chair, and a newly carved word for welcome in Arabic. Wells clearly states her strong feelings about immigration in her preface, in her author’s note, and in this deeply felt generational story of a well-used and well-loved chair. Pinkney’s signature artwork forms an inviting accompaniment with its soft lines and muted tones. (This book was reviewed digitally.)

Whether stated in one language or many, a resounding welcome to immigrants.