An interesting pairing is poorly served by uneven pacing and excessive monologuing.
A rabbi hoping to increase attendance at his synagogue asks a former sex worker to host a lecture series called “Modern Intimacy.”
Ethan Cohen’s Los Angeles shul might be struggling to stay afloat, but he loves his work and the people in his congregation. Although the board hired him to make changes, they are uncomfortable with the nontraditional programming he uses to attract new members. Naomi Grant is a former porn star and now co–CEO of Shameless, a web platform of instructional materials to help people have healthier sex lives. Naomi’s unorthodox background has made it difficult to find an educational institution willing to let her teach in-person adult sex education classes. When Ethan meets Naomi at a professional conference, he asks if she would be willing to teach an eight-week seminar at his synagogue. Naomi seizes the opportunity; she hasn’t been to synagogue since her bat mitzvah and has been longing to reconnect with Judaism. Ethan and Naomi’s love story explicitly follows the arc of the Modern Intimacy lecture series, but the pacing suffers as a result. Their romance is full of stops and starts, driven by Danan’s choice to have an external structure rather than organic character growth move the plot. Threads are introduced, dropped, and then reappear suddenly. Several times, Naomi and Ethan reveal their emotional states by lecturing to an audience, even if the other isn’t present. It’s ironic that characters committed to intimacy disclose their feelings in long speeches instead of showing them through action or direct communication with their partner; consequently, their relationship feels flat and underdeveloped. The exploration of faith and identity will likely appeal to contemporary romance readers looking for a full-bodied, nuanced treatment of religion that is also nonjudgmental and sex-positive.
An interesting pairing is poorly served by uneven pacing and excessive monologuing.Pub Date: April 6, 2021
ISBN: 978-0-593-10162-9
Page Count: 336
Publisher: Berkley
Review Posted Online: Feb. 9, 2021
Kirkus Reviews Issue: March 1, 2021
BOOK REVIEW
BOOK REVIEW
Haphazard and undemanding.
A sports agent’s first official client is the man she dumped years ago in college.
After two years of hard work as an underling, Nora Mackenzie is finally being promoted to full-time sports agent. She’s worked hard, kept quiet, and allowed men in the office to call her Mac—a nickname she hates—all to show she’s a team player and “one of the guys.” Unfortunately, her boss instructs her to sign Derek Pender, a football player coming off an injury, who happens to be the man she heartlessly dumped in their senior year of college. Derek signs with her for revenge, seeing it as his opportunity to pay Nora back for callously breaking his heart eight years earlier. He insists she be at his beck and call: answering his emails, running his errands, cooking dinner for his dates. He also refuses to let her explain why she broke up with him without warning or explanation. Nora feels she has no choice but to acquiesce to Derek’s humiliating demands, since she’s worked too hard to let him ruin her dream job. She hopes he’ll thaw and they might become friends, but Derek’s bad behavior is designed to hide the fact that he’s still in love with her. Nora’s characterization is uneven, veering between anger at how she’s treated in the male-dominated field to immature bickering and bantering with Derek. Although Adams likely meant for Derek and Nora’s interactions to have an enemies-to-lovers vibe, the characters instead seem juvenile and stuck in the past. The novel is fueled by a string of tropes—second chance romance! married in Vegas! only one bed!—each randomly deployed to keep the book going despite thin characterization and wan plotting.
Haphazard and undemanding.Pub Date: April 2, 2024
ISBN: 9780593723678
Page Count: 368
Publisher: Dell
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
BOOK REVIEW
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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