An excellent premise, but the story lacks magic.
Illusionists in Victorian England take center stage in Thomas’ latest romance (Constance, 2013, etc.).
Devil Wix is more ambitious than his fellow entertainers and wants to do more than eke out a hand-to-mouth existence. The captivating showman dreams of managing his own theatrical company and is willing to go to almost any lengths to achieve his goal. Following a chance encounter, Devil teams up with resourceful dwarf Carlo Bonomi, and the act thrives when the partners present a gory illusion each evening at the run-down Palmyra Theater in London's East End. Soon, the pair ally themselves with Heinrich, a strange Swiss inventor obsessed with automata; Jasper, a wax sculptor and childhood friend who’s privy to Devil’s darkest memory; and art student/life model Eliza, an aspiring actress whose kindness and steely determination bind the diverse and often contentious group together. Eliza falls in love with Devil, much to Jasper’s disappointment, but Devil’s not used to dealing with a woman who demands respect. Outwitting his opponent in a card game, Devil gains ownership of the Palmyra and directs his efforts toward making the venue the foremost entertainment hub in the East End. As he discovers the formidable costs of refurbishing the theater and attracting a fickle public, Devil borrows money for renovations and publicity, auditions new acts to keep the show fresh and pays scant attention to the dangerous mental state of one member of the troupe. Thomas enthusiastically explores a unique subject and skillfully creates the sights, atmosphere and sensations of British theater during this era; but with each melodramatic event, the plot becomes wispier and wispier until it finally vanishes into thin air. Predictably, relationships, attitudes and the courses of lives change before the story takes one final gasp, but by then, even die-hard fans may find themselves struggling to get through the drawn-out tale.
An excellent premise, but the story lacks magic.Pub Date: June 26, 2014
ISBN: 978-1-4683-0990-4
Page Count: 480
Publisher: Overlook
Review Posted Online: May 20, 2014
Kirkus Reviews Issue: June 1, 2014
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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