A short, concentrated reminder for Christians that prayer remains one of the central missions of their faith.
A writer calls for a more engaged personal Christianity.
This brief work from Bryant (God’s Servant, 2016, etc.) returns frequently to a dilemma that will be familiar to many modern-day Christians: the many demands of daily life and how those tasks can sometimes obscure the importance of their faith. “We might try to fit in a five-minute prayer before we retire for the night,” Bryant writes. “But we have to make the decision that being alone with God is something we cannot afford to neglect.” The author stresses again and again that the benefits of communing with God immensely outweigh the minor irritation of finding the time in a busy schedule. God, for Bryant, is the source of all strength and support in life. As subsequent chapters make clear, this remains true even in times of trouble, when the faithful might even feel that God has let them down. “But can we rise from the ashes of a wounded faith and once again believe in the power of God?” the author asks, citing both Scripture and the trials in her own life. The most pointed Scriptural analogy is of course the pairing of Lazarus’ sisters, Martha and Mary. Busy Martha is irritated that all the housework is left to her when Jesus visits their home and talks to the other guests. Mary has wisely decided to listen to Jesus’ teachings rather than helping her sister. The key to a more meaningful Christian fellowship, Bryant maintains, is to strike a successful balance between the spiritual and the material. In the book’s clear and concise prose and quick chapters, the author underscores the vital significance of “sustaining a consistent prayer life,” and although most of the author’s personal anecdotes are rather general, the intimate tone throughout is ultimately winning. The faith observations made in every chapter are often on the anodyne side, the kinds of easy sentiments that the author’s Christian readers will have heard many times in church. But the practical understanding in the backgrounds of all these reflections—Bryant’s clear noting of the distractions of daily life—should have many readers nodding in recognition.
A short, concentrated reminder for Christians that prayer remains one of the central missions of their faith.Pub Date: April 11, 2016
ISBN: 978-1-68197-010-3
Page Count: 52
Publisher: Christian Faith Publishing
Review Posted Online: Sept. 12, 2018
Review Program: Kirkus Indie
BOOK REVIEW
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
