A fast-paced if uneven depiction of racial injustice in the segregated South.

FORSAKEN

After a 16-year-old black girl is convicted of killing her employer in 1912 Virginia, a young white journalist becomes embroiled in the aftermath.

Howell uses the real-life story of Virginia Christian as the basis for his debut novel, which is told from the perspective of Charlie Mears, the reporter assigned to cover her story. After a white woman, Ida Belote, is found beaten and dead, an all-white jury quickly finds her “washwoman,” Virgie, guilty of the murder, despite serious ambiguity about what transpired. It’s clear from the start that Virgie doesn’t understand the direness of her situation. “Daddy gone come, fetch me out of here?” she asks Charlie the first time he goes to the jail to interview her. “It’s best not to talk,” he warns her. “Not to anybody but your lawyer.” The “white savior” who swoops in to rescue people of color is a trope well past its expiration date, and readers may feel that Charlie’s seemingly inherent goodness (what reporter would tell an interviewee not to talk?) edges the narrative a bit too much in that direction. But it’s Charlie’s inability to effect change, not any heroic action, which drives the story. Indeed, the novel works best after the trial has ended, when Charlie is forced to decide how to make his way forward as a civil rights–minded writer. At times Howell gets bogged down in historical detail, and Charlie’s burgeoning romance with one of Ida Belote’s daughters plays out predictably. Regardless, Howell knows how to hold readers’ attention, and Christian’s story is an important reminder of the horrors of Jim Crow: she was the only female juvenile ever executed in Virginia, dying in the electric chair a day after her 17th birthday.

A fast-paced if uneven depiction of racial injustice in the segregated South.

Pub Date: Feb. 1, 2016

ISBN: 978-1-58838-317-4

Page Count: 320

Publisher: NewSouth

Review Posted Online: Oct. 28, 2015

Kirkus Reviews Issue: Nov. 15, 2015

Did you like this book?

No Comments Yet

A love letter to the power of books and friendship.

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

THE GIVER OF STARS

Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.

Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.

A love letter to the power of books and friendship.

Pub Date: Oct. 8, 2019

ISBN: 978-0-399-56248-8

Page Count: 400

Publisher: Pamela Dorman/Viking

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: Aug. 1, 2019

Did you like this book?

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

MAGIC HOUR

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

Did you like this book?

No Comments Yet
more