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THE IDEAL WOMAN

Despite its flaws, an often worthy, if tragic, tale of festering family secrets, cultural conflicts, and failed hopes.

Debut novelist Espiritu tells of the struggles of a mixed-race woman, torn between Filipino and American cultures.

Pearl’s mother, Aurora, was a sort of mail-order bride for her American father, Red. Members of both sides of the family fretted about the marriage for racial and cultural reasons, even though people of mixed Caucasian and Filipino heritage are valued in the Philippines for their perceived beauty. Aurora herself, however, is the result of a different mixed-race coupling: a rape that remains a closely guarded family secret, which Pearl doesn’t discover until later in life. The novel traces Pearl’s development from her beginnings in Evanston, Illinois, to her courtship by P.J., the scion of a powerful Filipino political family; and Brian, an American suitor. Soon Brian falls by the wayside, and it appears that P.J. will marry Pearl—until his family discovers her family’s secrets and snubs her. Pearl then moves to New York to pursue a career as a flight attendant. There, she’s raped by an intruder in her apartment; she later spots her assailant on a flight and informs the police, who gun him down at the airport. Many years later, while running a Filipino restaurant in Illinois, Pearl meets P.J. again. He never married, and the two agree to wed—but then tragedy strikes again. Espiritu offers a poignant tale that explores the difficulties of conflicting cultures. His strengths are in illuminating the dark shadows of family secrets, limning the tensions of race, and portraying an exuberant, exotic Filipino culture full of colorful fiestas, foods, and superstitions. The characters tend to be sketchily drawn rather than fully realized, however. Readers know Pearl only through a skin-deep description of her beauty, and they get few insights into her thoughts, beyond some journal entries in which she concludes that she’s not an “ideal woman,” according to Filipino tradition. The dialogue is occasionally stilted, and the narrative is sometimes hampered by clichés; for example, characters always seem to be “smiling from ear to ear.” The plot also sometimes stumbles into inexplicable dead ends and unbelievable twists, such as the unlikely, unbelievable airport shootout, and scenes involving a fortuneteller-turned-jewelry-saleswoman who pops up only briefly.

Despite its flaws, an often worthy, if tragic, tale of festering family secrets, cultural conflicts, and failed hopes.

Pub Date: July 31, 2014

ISBN: 978-1491730485

Page Count: 308

Publisher: iUniverse

Review Posted Online: Feb. 22, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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