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RUTTING SEASON

An uplifting read that informs, enlightens and satisfies.

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In addressing both man against nature and the nature of man, Ness’s novel raises challenging questions about the balance between hunting for sport and hunting for survival.

Survival of the fittest plays out with personalities and past regrets in sharp relief, as hunter and hunted confront unforgiving nature in the remote Yukon. The story skillfully weaves together the lives of seemingly disparate individuals into a conflict-ridden tapestry of self-discovery. The principal storyline centers on high-profile eco-warrior Hannah Weinberg. Her mission: to confront and raise public awareness of the wealthy trophy hunters who scour the remote Yukon Mountains in search of grizzly bears. The titular figurehead of a save-the-bears group called Grizzly Watch, Hannah meets her perceived nemesis in Dan MacKay, an unemployed, half-Indian moose hunter who lives in a small First Nation community. Dan runs into a lost Hannah while hunting moose on the Macmillan River. Elsewhere, Dan’s attorney, Susan Field, is driven by conscience rather than cash to uncover the truth about Dan’s ex-wife, Tara, and her suspicious pedophile boyfriend, Gary. Seems Gary has taken an interest in Dan’s preteen daughter, Starla. Another intersecting storyline revolves around Hannah’s husband, David Hellman. Rich and powerful, he cheats on Hannah, but when she’s reported missing, David swings into action and hires Yukon mountain experts to accompany him on the search. At times, details in the supporting storylines run too deep and risk overwhelming the central story. Thinning them  a bit in favor of the Dan–Hannah relationship, and how their initially opposing views slowly begin to dovetail, could improve the novel’s focus. Adding an extra dimension to the narrative are the internal dialogues of several animals. Raz, Dan’s loyal, well-trained hunting dog, expresses his own feelings and insight about “his Dan” and the new girl, Hannah. Raz eventually becomes indispensable to both the hunt and Dan’s survival. There’s also a “talkative” raven who provides some whimsical observations about human “bobbleheads” and their strange habits, and several moose express their feelings and various sexual pangs. Finally, there’s the heartbreaking struggle of a gut-shot bear, lumbering through the forest to find relief from the pain that accompanies his every step. Richly detailed and generously storied with characters both sympathetic and loathsome, this is the action-adventure novel for wilderness enthusiasts.

An uplifting read that informs, enlightens and satisfies.

Pub Date: June 26, 2012

ISBN: 978-1467966511

Page Count: 366

Publisher: CreateSpace

Review Posted Online: Sept. 28, 2012

Kirkus Reviews Issue: Nov. 1, 2012

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Mary's Song

From the Dream Horse Adventure Series series , Vol. 1

A short, simple, and sweet tale about two friends and a horse.

A novel tells the story of two spirited girls who set out to save a lame foal in 1952.

Mary, age 12, lacks muscle control of her legs and must use a wheelchair. Her life is constantly interrupted by trips with her widower father to assorted doctors, all of whom have failed to help her. Mary tolerates the treatments, hoping to one day walk unassisted, but her true passion involves horses. Possessing a library filled with horse books, she loves watching and drawing the animals at a neighboring farm. She longs to own one herself. But her father, overprotective due to her disability and his own lingering grief over Mary’s dead mother, makes her keep her distance. Mary befriends Laura, the emotionally neglected daughter of the wealthy neighboring farm owners, and the two share secret buggy rides. Both girls are attracted to Illusion, a beautiful red bay filly on the farm. Mary learns that Illusion is to be put down by a veterinarian because of a lame leg. Horrified, she decides to talk to the barn manager about the horse (“Isn’t it okay for her to live even if she’s not perfect? I think she deserves a chance”). Soon, Mary and Laura attempt to raise money to save Illusion. At the same time, Mary begins to gain control of her legs thanks to water therapy and secret therapeutic riding with Laura. There is indeed a great deal of poignancy in a story of a girl with a disability fighting to defend the intrinsic value of a lame animal. But this book, the first installment of the Dream Horse Adventure Series, would be twice as touching if Mary interacted with Illusion more. In the tale’s opening, she watches the foal from afar, but she actually spends very little time with the filly she tries so hard to protect. This turns out to be a strange development given the degree to which the narrative relies on her devotion. Count (Selah’s Sweet Dream, 2015) draws Mary and Laura in broad but believable strokes, defined mainly by their unrelenting pluckiness in the face of adversity. While the work tackles disability, death, and grief, Mary’s and Laura’s environments are so idyllic and their optimism and perseverance so remarkable that the story retains an aura of uncomplicated gentleness throughout.

A short, simple, and sweet tale about two friends and a horse.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Hastings Creations Group

Review Posted Online: Oct. 15, 2016

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ONCE UPON A GIRL

Therapeutic, moving verse from a promising new talent.

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Keridan’s poetry testifies to the pain of love and loss—and to the possibility of healing in the aftermath.

The literary critic Geoffrey Hartman once wrote that literature—and poetry, in particular—can help us “read the wound” of trauma. That is, it can allow one to express and explain one’s deepest hurts when everyday language fails. Keridan appears to have a similar understanding of poetry. She writes in “Foreword,” the opening work of her debut collection, that “pain frequently uses words as an escape route / (oh, how I know).” Many words—and a great deal of pain—escape in this volume, but the result is healing: “the ending is happy / the beginning was horrific / so let’s start there.” The book, then, tracks the process of recovery in the wake of suffering, and often, this suffering is brought on by romantic relationships gone wrong. An early untitled poem opens, “I die a little / taking pieces of me to feed the fire / that keeps him warm / you don’t notice that it’s a slow death / when you’re disappearing little by little.” The author’s imagery here—of the self fueling the dying fire of love—is simultaneously subtle and wrenching. But the poem’s message, amplified elsewhere in the book, is clear: We go wrong if we destructively give ourselves over to others, and healing comes only when we turn our energies back to our own good. Later poems, therefore, reveal that self-definition often equals strength. The process is painful but salutary; when “you’re left unprotected / surrounded by chaos with nothing you / can depend on / except yourself / and that’s when you gather the pieces / of the life you lost / and use them to build the life you want.” The “life you want” is an elusive goal, and the author knows that the path to self-definition is fraught with peril—but her collection may give strength to those who walk it.

Therapeutic, moving verse from a promising new talent.

Pub Date: Nov. 2, 2018

ISBN: 978-1-72770-538-6

Page Count: 196

Publisher: CreateSpace

Review Posted Online: Jan. 9, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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