A playfully surreal but enthralling story of society’s castoffs.


In Poe’s (The Long Forgetting, 2016, etc.) dramatic novel, a drifter and a wayward teenager find common ground at a boardinghouse for people with disabilities.

Truman Birdsong has been moving from job to job, tarred by an ex-wife’s false accusation of child molestation. After the Weeks brothers, who own a local plant, renege on a promise of employment, Truman gets an offer from Parfit, an enigmatic older man, who says that Mercer, the owner of a boardinghouse for the disabled, is in need of a hired hand. The few who reside at the boardinghouse include Julius Rose, whose curved spine gives him a perpetual hunch, and Aiden Burns, who’s been blind since the age of 10. Parfit also brings in 13-year-old Nicolai Tate, whose mentally ill mother is in the hospital and whose father is in jail. Both Truman and Julius are wary of having the boy at the boardinghouse, particularly as he’s clearly avoiding a probation officer. But the real threat comes from the locals, who treat the boarders as pariahs and may have formed their own militia group. It turns out that the Weeks brothers have a cache of weapons to arm such a group—and may also have eyes on the boardinghouse’s land. Parfit makes a cryptic prediction, implying that Nicolai is in danger. Although Poe touches on serious, real-world subjects, such as violent “antigovernment types,” the story also has an otherworldly overtone. Parfit, for instance, seems to have unexplained abilities—at one point suddenly appearing just when Truman and Nicolai need help. Aiden’s odd, verbose speech is an endearing quirk: “You need a moment to think…a moment and no more, no, not a bit,” he tells Julius. There’s a clearly developed theme of fatherhood throughout; Truman, like Nicolai, has an estranged dad, and it’s hard not to see Truman becoming a paternal figure to the teen. The romance between Truman and Kennis McDuff, Nicolai’s probation officer, is also welcome, although that relationship pales in comparison to the bond between the boardinghouse denizens.

A playfully surreal but enthralling story of society’s castoffs.

Pub Date: Aug. 18, 2015

ISBN: 978-0-9905845-2-0

Page Count: 286

Publisher: Rippo Press

Review Posted Online: Aug. 17, 2017

Kirkus Reviews Issue: Sept. 15, 2017

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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