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THE ART OF LOOKING INTO THE FUTURE

Name: THE ART OF LOOKING INTO THE FUTURE
Author: R.S. Amblee
ISBN: 978-0983157403

THE FIVE PRINCIPLES OF TECHNOLOGICAL EVOLUTION

by R.S. Amblee ‧ RELEASE DATE: Aug. 6, 2011

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Consumerism will impel us toward a marvelous machine-made world, according to this ambitious treatise on economics and technological change.

Amblee, a software engineer, spotlights a handful of simple economic principles that he feels will mold the shape of things to come. Chief among them are the eternal desire for cheaper, better, more convenient goods and services; the drive for globalization and automation; and the need for cheap energy, the lack of which he believes is the primary cause of recessions. From these rather generic notions, the author derives tech-heavy prognostications of varying plausibility. Sensibly, he foresees remote testing equipment and computer programs performing routine medical diagnoses; less sensibly, he sees insurance companies making people wear monitoring devices that will pressure them to eat healthier food. Software linked to all-knowing financial databases will eliminate distortions in stock prices and bank lending, he contends, and thus forestall asset bubbles and end the business cycle. At restaurants, “dining tables will become digital, offering world information” that will enable us to work while we eat. Everything converges toward a future that offers “more quality, more precision” and “timelier service,” one where the main jobs will be “robot design, robot assembly, software development for robots, and so on,” and where “life will be so easy and comfortable you will wonder how people used to stand in long lines just to pay!” Amblee’s book reads like a mash-up of Adam Smith and Isaac Asimov rendered in the stilted prose and bewildering flow-charts of a marketing textbook. His forecasts are bold—living in “space cities,” we will be impervious to global warming and asteroid impacts—but often uninformed and naïve, more like arbitrary conjectures than careful analyses. (His solution to the energy crisis—self-replicating robot armies building solar power plants everywhere—ignores the complexities of resource and land constraints, power-grid stability, clouds and nighttime.) Amblee puts his finger on important trends, but his vision of a frantically competitive, callow, materialistic, “eco-free world” won’t convince everyone. A clouded window onto a future that robots will love.

Pub Date: Aug. 6, 2011

ISBN: 978-0983157403

Page Count: 227

Publisher: Gloture

Review Posted Online: Sept. 19, 2011

Kirkus Reviews Issue: Oct. 15, 2011

Review Program: Kirkus Indie

Categories:

GENERAL NONFICTION

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.