by Rumaan Alam ‧ RELEASE DATE: Oct. 6, 2020
Addressing race, risk, retreat, and the ripple effects of a national emergency, Alam's novel is just in time for this moment.
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An interrupted family vacation, unexpected visitors, a mysterious blackout—something is happening, and the world may never be the same.
On a reassuringly sunny summer day, Amanda, an account director in advertising; Clay, a college professor; and their children, Archie, 15, and Rose, 13, make their way from Brooklyn to a luxury home (swimming pool! hot tub! marble countertops!) in a remote area of Long Island they’ve rented for a family vacation. Shortly after they arrive, however, the family’s holiday is interrupted by a knock on the door: The house’s owners, a prosperous older Black couple—George Washington and his wife, Ruth—have shown up unannounced because New York City has been plunged into a blackout and their Park Avenue high-rise apartment didn’t feel safe. Soon it becomes clear that the blackout is a symptom (or is it a cause?) of something larger—and nothing is safe. Has there been a nuclear or climate disaster, a war, a terrorist act, a bomb? Alam’s story unfolds like a dystopian fever dream cloaked in the trappings of a dream vacation: Why do hundreds of deer show up in the house’s well-maintained backyard or a flock of bright-pink flamingos frolic in the family pool and then fly away? What is the noise, loud enough to crack glass, that comes, without warning, once and then, later, repeatedly? Is it safer to go back to the city, to civilization, or to remain away, in a world apart? As they search for answers and adjust to what increasingly appears to be a confusing new normal, the two families—one Black, one White; one older, one younger; one rich, one middle-class—are compelled to find community amid calamity, to come together to support each other and survive. As he did in his previous novels, Rich and Pretty (2016) and That Kind of Mother (2018), Alam shows an impressive facility for getting into his characters’ heads and an enviable empathy for their moral shortcomings, emotional limitations, and failures of imagination. The result is a riveting novel that thrums with suspense yet ultimately offers no easy answers—disappointing those who crave them even as it fittingly reflects our time.
Addressing race, risk, retreat, and the ripple effects of a national emergency, Alam's novel is just in time for this moment.Pub Date: Oct. 6, 2020
ISBN: 978-0-06-266763-2
Page Count: 256
Publisher: Ecco/HarperCollins
Review Posted Online: June 16, 2020
Kirkus Reviews Issue: July 1, 2020
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by Tana French ‧ RELEASE DATE: March 5, 2024
An absorbing crime yarn.
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A divorced American detective tries to blend into rural Ireland in this sequel to The Searcher (2020).
In fictional Ardnakelty, on Ireland’s west coast, lives retired American cop Cal Hooper, who busies himself repairing furniture with 15-year-old Theresa “Trey” Reddy and fervently wishes to be boring. Then into town pops Trey’s long-gone, good-for-nothing dad, Johnny, all smiles and charm. Much to her distaste, he says he wants to reclaim his fatherly role. In fact, he’s on the run from a criminal for a debt he can’t repay, and he has a cockamamie scheme to persuade local townsfolk that there might be gold in the nearby mountain with a vein that might run through some of their properties. (What, no leprechauns?) “It’s not sheep shite you’ll be smelling in a few months’ time, man,” he tells a farmer. “It’s champagne and caviar.” Some people have fun fantasizing about sudden riches, but they know better. Johnny’s pursuer, Cillian Rushborough, comes to town, and Johnny tries to convince him he could get rich by purchasing people’s land. Alas, someone bashes Rushborough’s brains in, and now there’s a murder mystery. The plot is a bit of a stretch, but the characters and their relationships work well. Trey detests Johnny for not being in her life, and now that he’s back, she neither wants nor needs him. She gets on much better with Cal. Still, she’s a testy teenager when she thinks someone is not treating her like an adult. Cal is aware of this, and he’s careful how he talks to her. Johnny, not so much: “I swear to fuck, women are only put on this earth to wreck our fuckin’ heads,” he whines about Trey’s mother, briefly forgetting he’s talking to Trey. The book abounds in local color and lively dialogue.
An absorbing crime yarn.Pub Date: March 5, 2024
ISBN: 9780593493434
Page Count: 480
Publisher: Viking
Review Posted Online: Dec. 6, 2023
Kirkus Reviews Issue: Jan. 1, 2024
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by Richard Wright ‧ RELEASE DATE: April 20, 2021
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
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