This 900-year-old story has not lost its classic feel.
A tale of Rumi, the famous Persian poet, in which interactions between humans and animals result in a memorable moral.
Mah Jahan is a Persian merchant who travels widely and trades in all sorts of things. On one of her trips to India, she brings back a “beautiful bright parrot” to add to her collection of caged birds; it quickly becomes her favorite bird, and she loves it dearly. Before traveling again, Mah Jahan asks her servants and the parrot what they would like her to bring them back as gifts. The servants share what they would like, but the parrot’s request is unusual: It asks Mah Jahan to tell all its old friends in India it misses them and to solicit their advice for it. In seeking to bring the parrot’s requested gift, Mah Jahan does not get what she expected, and the gift eventually results in the bird’s freedom. This old Rumi tale is adapted by making the merchant a woman but is not otherwise significantly modernized. Iranian illustrator Vafaeian’s ornamented, often surreal illustrations depict Mah Jahan in enormous, colorful skirts and frequently surrounded by comparatively tiny servants. The parrot’s cage is likewise stylized, an ornamented circle that contains the unhappy captive. Despite the exuberant color used as highlights, the gray-and-sepia illustrations are often gloomy, befitting its theme.
This 900-year-old story has not lost its classic feel. (Picture book. 6-9)Pub Date: May 14, 2019
ISBN: 978-1-910328-03-3
Page Count: 24
Publisher: Tiny Owl
Review Posted Online: March 30, 2019
Kirkus Reviews Issue: April 15, 2019
A funny and timely primer for budding activists.
Problems are afoot at Emily Dickinson Elementary School, and it’s up to Bea Garcia to gather the troops and fight.
Bea Garcia and her best friend, Judith Einstein, sit every day under the 250-year-old oak tree in their schoolyard and imagine a face in its trunk. They name it “Emily” after their favorite American poet. Bea loves to draw both real and imagined pictures of their favorite place—the squirrels in the tree, the branches that reach for the sky, the view from the canopy even though she’s never climbed that high. Until the day a problem boy does climb that high, pelting the kids with acorns and then getting stuck. Bert causes such a scene that the school board declares Emily a nuisance and decides to chop it down. Bea and Einstein rally their friends with environmental facts, poetry, and artwork to try to convince the adults in their lives to change their minds. Bea must enlist Bert if she wants her plan to succeed. Can she use her imagination and Bert’s love of monsters to get him in line? In Bea’s fourth outing, Zemke gently encourages her protagonist to grow from an artist into an activist. Her energy and passion spill from both her narration and her frequent cartoons, which humorously extend the text. Spanish-speaking Bea’s Latinx, Einstein and Bert present white, and their classmates are diverse.
A funny and timely primer for budding activists. (Graphic/fiction hybrid. 6-9)Pub Date: May 14, 2019
ISBN: 978-0-7352-2941-9
Page Count: 160
Publisher: Dial Books
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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