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RUSH REVERE AND THE BRAVE PILGRIMS

TIME-TRAVEL ADVENTURES WITH EXCEPTIONAL AMERICANS

From the Rush Revere series

Exceptionally bad.

Supercool substitute teacher Rush Revere and his time-traveling horse, Liberty, take two students to 1620 to meet such exceptional Americans as William Bradford and Squanto.

In a series of jumps, the amiable Rush takes football player and closet nerd Tommy and pretty, soft-spoken, dark-skinned Freedom (possibly Native American) to such significant moments as the Mayflower’s embarkation from England, its landing at Plymouth and the first Thanksgiving. In their encounters, they learn about the Pilgrims’ quest for religious freedom, the difficult conditions they faced both onboard and in the New World, and how the fledgling colony’s relations with the local Native Americans were established. The presentation of history adheres to the standard narrative presented in classrooms for decades throughout the 20th century. Readers looking for Limbaugh’s politics won’t have to search hard. Tommy and Rush school Bradford in the values of competition and individualism, while Bradford and Squanto give thanks to God for seeing them through adversity. The storytelling that carries history, adventure and politics is breathtakingly inept. The rules governing both time travel and Liberty’s remarkable powers are both inconsistent and so arbitrarily convenient they feel as though they were made up as the author went along. Rush and the children’s interactions with historical figures are thoroughly wooden and elide the basic rules of the genre; Bradford never questions Rush’s late-18th-century getup, for instance, and is stupendously incurious about their monthslong absences. The prose never rises above amateurish and often reads as though written by the middle school students Rush teaches: “Tommy plopped down on a random desk….” Although the faux parchment pages catch the eye, illustration, design and even proofreading (Samoset is consistently misspelled “Somoset” in the text though not in captions or the author’s note) are as rudimentary and slipshod as the prose. The ever hungry Liberty provides needed, if lame, comic relief. A closing quiz leads readers to the website twoifbytea.com for answers.

Exceptionally bad. (Fantasy. 8-12)

Pub Date: Oct. 29, 2013

ISBN: 978-1-4767-5586-1

Page Count: 224

Publisher: Threshold Editions/Simon & Schuster

Review Posted Online: March 31, 2014

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CAPTAIN UNDERPANTS AND THE TERRIFYING RETURN OF TIPPY TINKLETROUSERS

From the Captain Underpants series , Vol. 9

Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel.

Sure signs that the creative wells are running dry at last, the Captain’s ninth, overstuffed outing both recycles a villain (see Book 4) and offers trendy anti-bullying wish fulfillment.

Not that there aren’t pranks and envelope-pushing quips aplenty. To start, in an alternate ending to the previous episode, Principal Krupp ends up in prison (“…a lot like being a student at Jerome Horwitz Elementary School, except that the prison had better funding”). There, he witnesses fellow inmate Tippy Tinkletrousers (aka Professor Poopypants) escape in a giant Robo-Suit (later reduced to time-traveling trousers). The villain sets off after George and Harold, who are in juvie (“not much different from our old school…except that they have library books here.”). Cut to five years previous, in a prequel to the whole series. George and Harold link up in kindergarten to reduce a quartet of vicious bullies to giggling insanity with a relentless series of pranks involving shaving cream, spiders, effeminate spoof text messages and friendship bracelets. Pilkey tucks both topical jokes and bathroom humor into the cartoon art, and ups the narrative’s lexical ante with terms like “pharmaceuticals” and “theatrical flair.” Unfortunately, the bullies’ sad fates force Krupp to resign, so he’s not around to save the Earth from being destroyed later on by Talking Toilets and other invaders…

Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel. (Fantasy. 10-12)

Pub Date: Aug. 28, 2012

ISBN: 978-0-545-17534-0

Page Count: 304

Publisher: Scholastic

Review Posted Online: June 19, 2012

Kirkus Reviews Issue: July 15, 2012

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STEALING HOME

An emotional, much-needed historical graphic novel.

Sandy and his family, Japanese Canadians, experience hatred and incarceration during World War II.

Sandy Saito loves baseball, and the Vancouver Asahi ballplayers are his heroes. But when they lose in the 1941 semifinals, Sandy’s dad calls it a bad omen. Sure enough, in December 1941, Japan bombs Pearl Harbor in the U.S. The Canadian government begins to ban Japanese people from certain areas, moving them to “dormitories” and setting a curfew. Sandy wants to spend time with his father, but as a doctor, his dad is busy, often sneaking out past curfew to work. One night Papa is taken to “where he [is] needed most,” and the family is forced into an internment camp. Life at the camp isn’t easy, and even with some of the Asahi players playing ball there, it just isn’t the same. Trying to understand and find joy again, Sandy struggles with his new reality and relationship with his father. Based on the true experiences of Japanese Canadians and the Vancouver Asahi team, this graphic novel is a glimpse of how their lives were affected by WWII. The end is a bit abrupt, but it’s still an inspiring and sweet look at how baseball helped them through hardship. The illustrations are all in a sepia tone, giving it an antique look and conveying the emotions and struggles. None of the illustrations of their experiences are overly graphic, making it a good introduction to this upsetting topic for middle-grade readers.

An emotional, much-needed historical graphic novel. (afterword, further resources) (Graphic historical fiction. 9-12)

Pub Date: Oct. 5, 2021

ISBN: 978-1-5253-0334-0

Page Count: 112

Publisher: Kids Can

Review Posted Online: June 28, 2021

Kirkus Reviews Issue: July 15, 2021

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