A great dose of catnip for the mob of world-records enthusiasts.
Terry has amassed here a busy collection of top 10s that run a gamut of topics: machines (like trains, planes and automobiles), animals, stars (those that dazzle in the heavens), stars (those that dazzle on stage), sports, freaks of nature, buildings, the mind and body—with multiple top 10s within each topic. (All games and movies referred to are rated for 12 and under.) Though the title claims these chart busters are “for boys,” there is no reason to think that girls wouldn’t find them equally irresistible (“This is the first ever T-10 that is exclusively for boys!” barks the “Welcome” page). Each page buzzes with lists and boxed items and dizzies with slews of photographs and fact squibs. Readers are also given opportunities to shuffle various top 10s to fashion their own selections and checklists to notch off those they’ve seen. This is described as “interactive,” a generous use of the term. Still, this collection rarely fails to shock and awe, offering up the gentleman who rode a motorcycle at nearly 400 mph, the highest-earning solo artist of 2012 (Madonna!) and the most fatal riot (took place in Constantinople in A.D. 532)—not to mention the thrill of imagining being one of the select 1,000-plus who annually get ripped apart by saltwater crocodiles. A worthy addition to the ranks of Ripley and Guinness. (Nonfiction. 9-15)
Pub Date: Dec. 1, 2013
ISBN: 978-1-77085-223-5
Page Count: 320
Publisher: Firefly
Review Posted Online: Oct. 20, 2013
Kirkus Reviews Issue: Nov. 1, 2013
Categories: CHILDREN'S GENERAL CHILDREN'S
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A compendium of paranormal doings, natural horrors, and eerie wonders worldwide and (in several senses) beyond.
Maladroit title aside (“…in Bed” would make more sense, cautionwise), this collection of hauntings, cryptids, natural and historical mysteries, and general titillation (“Vampire bats might be coming for you!”) offers a broad array of reasons to stay wide awake. Arranged in no discernible order the 60-plus entries include ghostly sightings in the White House and various castles, body-burrowing guinea worms, the Nazca lines of Peru, Mothman and Nessie, the hastily abandoned city of Pripyat (which, thanks to the Chernobyl disaster, may be habitable again…in 24,000 years), monarch-butterfly migrations, and diverse rains of fish, frogs, fireballs, and unidentified slime. Each is presented in a busy whirl of narrative blocks, photos, graphics, side comments, and arbitrary “Fright-O-Meter” ratings (Paris’ “Creepy Catacombs” earn just a “4” out of 10 and black holes a “3,” but the aforementioned aerial amphibians a full “10”). The headers tend toward the lurid: “Jelly From Space,” “Zombie Ants,” “Mongolian Death Worm.” Claybourne sprinkles multiple-choice pop quizzes throughout for changes of pace.
A rich source of terrors both real and manufactured, equally effective in broad daylight or beneath the bedcovers. (Nonfiction. 9-12)Pub Date: Aug. 1, 2017
ISBN: 978-1-4263-2841-1
Page Count: 144
Publisher: National Geographic
Review Posted Online: May 15, 2017
Kirkus Reviews Issue: June 1, 2017
Categories: CHILDREN'S GENERAL CHILDREN'S
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A 15-year-old girl in Colombia, doing time in a remote detention center, orchestrates a jail break and tries to get home.
"People say drugs and alcohol are the greatest and most persuasive narcotics—the elements most likely to ruin a life. They're wrong. It's love." As the U.S. recovers from the repeal of the Deferred Action for Childhood Arrivals program, from the misery of separations on the border, from both the idea and the reality of a wall around the United States, Engel's vital story of a divided Colombian family is a book we need to read. Weaving Andean myth and natural symbolism into her narrative—condors signify mating for life, jaguars revenge; the embattled Colombians are "a singed species of birds without feathers who can still fly"; children born in one country and raised in another are "repotted flowers, creatures forced to live in the wrong habitat"—she follows Talia, the youngest child, on a complex journey. Having committed a violent crime not long before she was scheduled to leave her father in Bogotá to join her mother and siblings in New Jersey, she winds up in a horrible Catholic juvie from which she must escape in order to make her plane. Hence the book's wonderful first sentence: "It was her idea to tie up the nun." Talia's cross-country journey is interwoven with the story of her parents' early romance, their migration to the United States, her father's deportation, her grandmother's death, the struggle to reunite. In the latter third of the book, surprising narrative shifts are made to include the voices of Talia's siblings, raised in the U.S. This provides interesting new perspectives, but it is a little awkward to break the fourth wall so late in the book. Attention, TV and movie people: This story is made for the screen.
The rare immigrant chronicle that is as long on hope as it is on heartbreak.Pub Date: yesterday
ISBN: 978-1-982159-46-7
Page Count: 208
Publisher: Avid Reader Press
Review Posted Online: Dec. 15, 2020
Kirkus Reviews Issue: Jan. 1, 2021
Categories: LITERARY FICTION | FAMILY LIFE & FRIENDSHIP
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In a large, handsome format, Tarnowska offers six tales plus an abbreviated version of the frame story, retold in formal but contemporary language and sandwiched between a note on the Nights’ place in her childhood in Lebanon and a page of glossary and source notes. Rather than preserve the traditional embedded structure and cliffhanger cutoffs, she keeps each story discrete and tones down the sex and violence. This structure begs the question of why Shahriyar lets Shahrazade [sic] live if she tells each evening’s tale complete, but it serves to simplify the reading for those who want just one tale at a time. Only the opener, “Aladdin and the Wonderful Lamp,” is likely to be familiar to young readers; in others a prince learns to control a flying “Ebony Horse” by “twiddling” its ears, contending djinn argue whether “Prince Kamar el Zaman [or] Princess Boudour” is the more beautiful (the prince wins) and in a Cinderella tale a “Diamond Anklet” subs for the glass slipper. Hénaff’s stylized scenes of domed cityscapes and turbaned figures add properly whimsical visual notes to this short but animated gathering. (Folktales. 10-12)
Pub Date: Dec. 1, 2010
ISBN: 978-1-84686-122-2
Page Count: 128
Publisher: Barefoot
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Nov. 15, 2010
Categories: CHILDREN'S GENERAL CHILDREN'S
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