A time-travel adventure with well-developed characters, but more than a few (worm) holes.
The second volume of Moran’s (The Gray Ship, 2013) Time Magnet series continues the adventures of Jack Thurber, an investigative journalist who has a knack for finding time portals.
Although Thurber has traveled back in time before, he’s still surprised when he steps on a storm grate in an abandoned lot in Manhattan and is jettisoned two years into the future. He finds that the New York City of 2017 is radically different: Police officers are everywhere, and the city has the aura of a Third World dictatorship. He quickly seeks out his best friend, Benjamin “Bennie” Weinberg, a psychiatrist with the New York City Police Department, who’s shocked to see him. Apparently, Thurber is supposed to be dead—killed along with his wife and about 26,000 others when, on Thanksgiving Day, 2015, terrorists detonated five nuclear bombs hidden on five U.S. aircraft carriers. Thurber’s mission is obvious—to find out who was behind the attack, and travel back in time to stop them before they can carry them out—but it may be impossible to accomplish. Nonetheless, with time running out, Thurber and a small group of unlikely heroes set out on a mission to change history. The novel’s character development is one of its undeniable strengths. Moran does an adept job of deepening established characters, such as Thurber, while also introducing intriguing new players; Janice Monahan, the appealing wife of a weapons officer aboard one of the ships, is a particular standout. But despite its breakneck pacing and virtually nonstop action, this installment isn’t as strong as its predecessor. In part, this is due to the fact that the author uses numerous first-person sequences (from the perspective of the five terrorists), which are not only redundant, but also slow down the plot’s momentum and dilute its power. Additionally, the ending is predictable and anticlimactic.
A time-travel adventure with well-developed characters, but more than a few (worm) holes.Pub Date: Aug. 19, 2014
ISBN: 978-0989554640
Page Count: 188
Publisher: Coddington Press
Review Posted Online: Nov. 4, 2014
Review Program: Kirkus Indie
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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