THE TROKEVILLE WAY

A murky, discordant variation on the theme of an adolescent exploring an alternate reality to get a handle on his own. Nursing a head injury after losing yet another fight to older schoolmate Harry Buncher, Nick meets melancholy street musician Moe Nagic, who displays a painting of a bridge (Moe calls it a "brudge"), warns Nick to be careful in the "little would" (wood) and hopes he'll achieve the "troke" (stroke) that will get him to "Trokeville." Timely advice: Nick falls into the painting and finds himself wandering through the littered, unlovely wood. Hoban (Hedgehog Jim's Supernatural Christmas, 1992, etc.) presents random encounters with familiar figures, plus sudden shifts in scene and pacing, making it all seem to be a dream- -but Nick wakes up in a hospital, three days later, to find that everyone he met dreamed simultaneously of him. Readers willing to sally past the Briticisms ("we didn't have a class reader then because we were spending most of our time swotting for Common Entrance") are likely to bog down in all the unexplained situations, disconnected episodes, and ambiguous, allusive conversations; they may also falter at the "troke," in which Nick faces Harry down and exchanges a friend's older sister, Cynthia, for Harry's more compatible sister, Felicity—no startling epiphany. (Fiction. 12-15)

Pub Date: Nov. 1, 1996

ISBN: 0-679-88148-4

Page Count: 118

Publisher: Knopf

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Oct. 15, 1996

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THE BOY IN THE STRIPED PAJAMAS

After Hitler appoints Bruno’s father commandant of Auschwitz, Bruno (nine) is unhappy with his new surroundings compared to the luxury of his home in Berlin. The literal-minded Bruno, with amazingly little political and social awareness, never gains comprehension of the prisoners (all in “striped pajamas”) or the malignant nature of the death camp. He overcomes loneliness and isolation only when he discovers another boy, Shmuel, on the other side of the camp’s fence. For months, the two meet, becoming secret best friends even though they can never play together. Although Bruno’s family corrects him, he childishly calls the camp “Out-With” and the Fuhrer “Fury.” As a literary device, it could be said to be credibly rooted in Bruno’s consistent, guileless characterization, though it’s difficult to believe in reality. The tragic story’s point of view is unique: the corrosive effect of brutality on Nazi family life as seen through the eyes of a naïf. Some will believe that the fable form, in which the illogical may serve the objective of moral instruction, succeeds in Boyle’s narrative; others will believe it was the wrong choice. Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point. (Fiction. 12-14)

Pub Date: Sept. 12, 2006

ISBN: 0-385-75106-0

Page Count: 224

Publisher: David Fickling/Random

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 15, 2006

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Not quite the wild ride of Skyward (2018) but still great fun.

STARSIGHT

From the Skyward series , Vol. 2

As if the threat of huge, raging monsters from hyperspace isn’t scary enough, hotshot fighter pilot Spensa Nightshade becomes embroiled in an alien empire’s politics.

On a desperate mission to steal hyperdrive technology from the crablike invading Krell who are threatening to destroy her beleaguered home colony on Detritus, Spensa, who is white, holographically disguises herself as a violet-skinned UrDail and slips into a Krell pilot training program for “lesser species.” The discovery that she’s being secretly trained not to fight planet-destroying delvers but to exterminate humans, who are (with some justification, having kindled three interstellar wars in past centuries) regarded in certain quarters as an irrationally aggressive species, is just one in a string of revelations as, in between numerous near-death experiences on practice flights, she struggles to understand both her own eerie abilities and the strange multispecies society in which she finds herself. There are so many characters besides Spensa searching for self-identity—notably her comic-relief sidekick AI M-Bot, troubled human friend Jorgen back on Detritus, and Morriumur, member of a species whose color-marked sexes create trial offspring—that even with a plot that defaults to hot action and escalating intrigue the pacing has a stop and start quality. Still, Spensa’s habitual over-the-top recklessness adds a rousing spark, and the author folds in plenty of banter as well as a colorful supporting cast.

Not quite the wild ride of Skyward (2018) but still great fun. (Science fiction. 12-15)

Pub Date: Nov. 26, 2019

ISBN: 978-0-399-55581-7

Page Count: 480

Publisher: Delacorte

Review Posted Online: Oct. 13, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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