A melancholy reflection on one man’s life, highlighted by complex characterization.

AN UNEXAMINED LIFE

In Long’s debut novel, a terminally ill man tries to reconcile with his past.

New Yorker Neal Landrum has a routine checkup that reveals a serious medical condition, and he’s told that he only has a few months left to live. Stunned, he decides to dedicate his remaining days to tracking down an old college girlfriend, Joan Elroy. After finding someone with her name in New Mexico, Neal lies to his wife, buys a car, and hits the road. As he makes his way southwest, his thoughts turn to his past, starting with the claustrophobic environment in which he grew up. He was raised by devoutly religious parents who kept him and his brother, Joe, isolated from the rest of their town, and he only managed to escape after meeting Joan, the daughter of a new high school teacher. He became close with her and her father, eventually dating her and attending the same college as she did. But when her father had a stroke, Joan left school to care for him. Neal cruelly turned his back on her and ended up marrying a rich, popular young woman named Susan Murphy and entering her family’s business. When present-day Neal eventually arrives in New Mexico, he’s disappointed that the woman he finds isn’t his old lover, but a young artist. He quickly realizes, however, that there’s more to her than meets the eye. There are some plot points that are sure to raise readers’ eyebrows; in particular, a “deal” struck between two key characters is so unbelievable that it borders on silly. On the whole, however, this novel takes a bold look at the life of a dying man. Neal is far from perfect, and the novel is unflinching in its commitment to showing him as a three-dimensional human being, with all of his flaws on full display. Even though he’s dying, the plot never handles him with kid gloves, and his past is revealed to be far more complicated than his memories suggest. The story also offers a cast of supporting characters with unexpected depth.

A melancholy reflection on one man’s life, highlighted by complex characterization.

Pub Date: Nov. 10, 2017

ISBN: 978-0-9991810-2-7

Page Count: 246

Publisher: Yellow City Publishing

Review Posted Online: Aug. 1, 2018

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

FIREFLY LANE

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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