A vivid exposé of war and its dislocations.
This World War II saga explores issues of parenthood, justice, and retribution.
Druart’s second novel unfolds in two timelines, taking place in the 1940s and 1960s. At the book’s outset, in 1963, Élise has been living in apparent exile from her Paris roots, in a remote Breton village with a mysterious old woman named Soizic. Joséphine, Élise’s 18-year-old daughter, unearths her birth certificate and learns what her mother had postponed telling her: A man with a German surname is her father, not, as she had been told, her mother’s fiance who died fighting for France. Not understanding that her parentage was not only a source of disgrace, but of danger, Joséphine is angered by the deception and vows to track down her father. By 1944, Élise, her mother, and sister have endured four years of Nazi occupation. The way in which Paris has been devastated on so many fronts is viscerally evoked. Élise is part of a clandestine operation that arranges passage to Switzerland for Jewish children. At a bookshop, Élise meets Sébastian, a bilingual German soldier whose mother was French and who, with the glaring exception of his uniform, can pass as French. Sébastian finds the duties of his posting repugnant—acting as interpreter during Gestapo interrogation sessions and translating denunciation letters in which Parisians turn in their Jewish neighbors. Sébastian interferes when French police harass Élise in the bookshop, where he is an unwelcome customer. He takes escalating risks to win Élise’s trust and, ultimately, her love—rescuing her from the Gestapo and helping to save several children from deportation. Joséphine’s journey of discovery uncovers a tragedy of errors. Sébastian and Élise seem too innocent—unconvincingly so—to realize the depths of depravity into which both occupiers and occupied can sink. Their misplaced optimism will have disastrous consequences for each. But although Sébastian’s complexity will emerge only later, these characters command sympathy, to the point that readers will be exasperated by their missteps.
A vivid exposé of war and its dislocations.Pub Date: July 19, 2022
ISBN: 978-1-5387-3521-3
Page Count: 448
Publisher: Grand Central Publishing
Review Posted Online: April 26, 2022
Kirkus Reviews Issue: May 15, 2022
Unrelenting, and not in a good way.
A young Navarrian woman faces even greater challenges in her second year at dragon-riding school.
Violet Sorrengail did all the normal things one would do as a first-year student at Basgiath War College: made new friends, fell in love, and survived multiple assassination attempts. She was also the first rider to ever bond with two dragons: Tairn, a powerful black dragon with a distinguished battle history, and Andarna, a baby dragon too young to carry a rider. At the end of Fourth Wing (2023), Violet and her lover, Xaden Riorson, discovered that Navarre is under attack from wyvern, evil two-legged dragons, and venin, soulless monsters that harvest energy from the ground. Navarrians had always been told that these were monsters of legend and myth, not real creatures dangerously close to breaking through Navarre’s wards and attacking civilian populations. In this overly long sequel, Violet, Xaden, and their dragons are determined to find a way to protect Navarre, despite the fact that the army and government hid the truth about these creatures. Due to the machinations of several traitorous instructors at Basgiath, Xaden and Violet are separated for most of the book—he’s stationed at a distant outpost, leaving her to handle the treacherous, cutthroat world of the war college on her own. Violet is repeatedly threatened by her new vice commandant, a brutal man who wants to silence her. Although Violet and her dragons continue to model extreme bravery, the novel feels repetitive and more than a little sloppy, leaving obvious questions about the world unanswered. The book is full of action and just as full of plot holes, including scenes that are illogical or disconnected from the main narrative. Secondary characters are ignored until a scene requires them to assist Violet or to be killed in the endless violence that plagues their school.
Unrelenting, and not in a good way.Pub Date: Nov. 7, 2023
ISBN: 9781649374172
Page Count: 640
Publisher: Red Tower
Review Posted Online: Jan. 20, 2024
SEEN & HEARD
SEEN & HEARD
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
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