by Ruth Finnegan illustrated by Rachel Backshall ‧ RELEASE DATE: Nov. 17, 2016
Rollicking and wise, this sailing story mixes prose, poetry, and song, offering a special lyrical gift.
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A tale for young readers draws on the enchantments of sea travel.
Inspired variously by the Odyssey, William Blake’s cosmologies, Rumi’s poems, and Charles Kingsley’s stories for youngsters, this novel embraces the magic of childhood imagining. Kate and Chris, along with Kate’s loyal dog, Holly, swim and frolic on a summer shore. A ship built from driftwood becomes their vessel: Kate’s the queen and Chris is the Man of Action, the one who saves them both from wind and water. At first, Kate’s fear of sailing the high seas causes her to abandon ship, but a terrible loneliness sets in, and she regrets leaving. The sudden appearance of a magician saves the day; she answers his riddles to regain her berth. In their boat, the Pearl of the Seas, Kate and Chris pilot through treacherous rocks and come ashore in a welcoming kingdom, where they learn a version of the Tower of Babel story, “the very disaster of our world.” In this hybrid book of narrative blended with verse and song, different ways of telling a story may appear on a single page. The King of Names instructs Kate that “for the deep things it is poetry.” Such wise lessons fortify the children, but even happy dreams must end. Their parting gifts include a magic pebble-pearl that rights the broken mast so they may return to the shore of reality and family. Though the Pearl of the Seas may not buoy them to distant lands again, they determine that Black Inked Pearl—the written record of their travels—shall be their legacy. As in the novel for adults, Finnegan’s (Black Inked Pearl, 2015) “fairytale prequel” for younger readers delights in the associative wordplay of sound and sense. A moment of canine joy provides a vivid illustration: “Still in gleeful flightful lightsome delighting delight. Barking, sparking, larking.” A handful of superb black-and-white drawings by Backshall complements the work’s whimsical vision.
Rollicking and wise, this sailing story mixes prose, poetry, and song, offering a special lyrical gift.Pub Date: Nov. 17, 2016
ISBN: 978-0-9955617-4-8
Page Count: 186
Publisher: Callender Press
Review Posted Online: Dec. 7, 2016
Kirkus Reviews Issue: Jan. 1, 2017
Review Program: Kirkus Indie
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by Cynthia Willenbrock illustrated by Lauren Heimbaugh ‧ RELEASE DATE: Jan. 1, 2012
An enjoyable picture book that addresses important issues in a kid-friendly way without being preachy.
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Willenbrock’s heartwarming debut picture book is the autobiographical story of how she came to share her home with a special shelter dog.
Told from the perspective of Marshall, Willenbrock’s dog, this tale tells of his unpleasant life in the home of a dog hoarder, where food for the dogs was so scarce that they fought each other at mealtime. In one of these fights, Marshall’s front leg was broken and his face was badly bitten. When animal rescuers finally found out about the animal hoarder and took the dogs away, Marshall was in such sorry shape that they didn’t know if he would make it. He ended up losing his damaged front leg and his face remained badly scarred, yet he describes the compassion of the humane society workers who helped him learn how to walk and run on three legs. He meets his new “mom” (owner) and adjusts to a life of freedom with her and her other dog, Mooshy. Though life is good, Marshall is insecure and nervous about how other dogs and people will react to the fact that he has only three legs and a big scar on his face, but he’s pleasantly surprised by the kindness of others. Heimbaugh’s realistic colored-pencil illustrations help bring Marshall’s story to life. Due to wordiness and the use of some bigger words—celebrity, socialize, limitations—this book will most likely work better as a read-aloud with school-age children. It also lends itself to discussions about the humane treatment of animals and discussions about bullying.
An enjoyable picture book that addresses important issues in a kid-friendly way without being preachy.Pub Date: Jan. 1, 2012
ISBN: 978-0615666259
Page Count: 40
Publisher: The Marshall Movement
Review Posted Online: Oct. 9, 2012
Kirkus Reviews Issue: Nov. 15, 2012
Review Program: Kirkus Indie
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by Sophia E. Fredo ‧ RELEASE DATE: N/A
Unanswered questions and heavy-handed writing drain intrigue from this not-so-spooky story.
Three friends unravel old secrets lurking beneath the surface of a picture-perfect town in this young adult mystery.
Fallon and her best friend, Blair, live in the town of Whitford, a “sort of old fashioned” place where “everyone knows everyone else.” Nothing ever goes wrong there, except for local 16-year-old girls’ penchant for drowning in Whitford Pond on their 16th birthdays. That is, nothing ever goes wrong until Blair, Fallon and their new friend Lila start investigating the drownings as part of a history project. Soon after the girls paddle out to the spooky island at the middle of the pond where its victims are buried, Fallon discovers that she’s related to the pond’s first victim: Elizabeth Mason, who was engaged to the prosperous son of the town jeweler before her supposed suicide in 1750. By poking around the town historical society and badgering Fallon’s lively grandmother, Nana, the girls realize that something sinister lurks beneath Whitford’s bucolic surface. It’s only when the trio heads to the fourth floor of Whitford’s public library in search of A Genealogy of the Noble Families of Whitford: A History that they realize their quest is putting them in danger. Blair and Fallon’s friendship feels comfortable and credible, although the addition of “exotic” Lila seems like a strained plot device rather than a real-life event. Indeed, much of the plotting is convenient rather than clever; the girls’ discoveries primarily result from pushing Nana to give them information or snooping around Nana’s house—and the developments that aren’t related to Nana are foreshadowed so heavily that they come as no surprise. Another distraction: Every time that the inhabitants of Whitford scream or emphasize a turn of phrase, Fredo uses capital letters. They’re are unnecessary, for example, when Fallon says, “I JUST HAD THE BEST IDEA EVER!”
Unanswered questions and heavy-handed writing drain intrigue from this not-so-spooky story.Pub Date: N/A
ISBN: N/A
Page Count: 172
Publisher: iUniverse
Review Posted Online: Oct. 26, 2012
Review Program: Kirkus Indie
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