From the vantage point of a future ravaged by global warming, Conklin’s (The House Girl, 2013) narrator describes the lingering consequences of the traumatic childhood she shared with her three siblings.
In 2079, when the world is increasingly devastated by floods and other climate disasters, renowned 102-year-old poet Fiona Skinner meets a young woman whose parents named her Luna after a woman mentioned in Fiona’s world-famous work, “The Love Poem,” written 75 years earlier. To answer the young woman’s questions about the original Luna, Fiona tells the story of her childhood: After their father dies suddenly in 1981 and their mother, Noni, retreats to her bedroom in paralyzing depression, 4-year-old Fiona, 7-year-old Joe, 8-year-old Caroline, and 11-year-old Renee must fend for themselves for several years in what they call “the Pause” until Noni eventually reclaims her parental responsibility. The Pause creates a powerful bond among the children but affects each differently. Renee carries her take-charge sense of responsibility into a high-powered medical career but avoids having children of her own. Despite the disapproval of Noni, who has become wary of men and dependent womanhood, Caroline marries early and creates a perfect domestic world for her professor husband and their children without considering what world she wants for herself. Coddled, slightly clueless Fiona takes a mindless job at a nonprofit called ClimateSenseNow! (hint, hint) and writes a blog recounting each of her sexual experiences in numerical order. Passionately protective of his sisters, Joe is perhaps the most damaged. Despite early promise, his life skitters off the rails, redeemed only briefly by his love affair with the young bartender Luna before he suffers what Fiona calls his “accident.” In reaction, the sisters re-examine their own priorities. A problem, especially in scenes involving Joe, is that Conklin sometimes describes private thoughts and feelings Fiona could not know, although according to the novel’s framing device she is recounting her own memory of events.
Basically a lukewarm turn-of-the-21st-century family melodrama despite the intermittent, never adequately integrated references to a future wracked by climate change.