Rendell returns to her favorite psychological-suspense device here: two separate story-lines that will eventually overlap—with fatal results. And, also as before (Lake of Darkness, Master of the Moor), Rendell's quiet English setting harbors a surprising, slightly excessive number of criss-crossing nut-cases. The principal plot focuses on the London-suburb household of mousey businessman Harold Yearman, whose wife has just died—leaving behind a strange, devoted pair of siblings: Dolly, in her 20s, a withdrawn innocent, psychically scarred by a large facial birthmark; and her teenage brother "Pup," short and insecure, who becomes bookishly obsessed with witchcraft, casting spells in his mini-temple upstairs. But then, while Dolly (a wine alcoholic, ever more disturbed) comes to believe utterly in Pup's abracadabra, Pup himself soon grows taller, discovers sex—and no longer needs the occult outlet. Will he, nonetheless, keep doing magic for Dolly's benefit? Yes, he will—because he loves her. . . and because his supposed witchcraft-club meetings give him a cover for his many amorous assignations. (Dolly is shocked, jealous, at each hint of Pup's sex-life.) So, when father Harold marries the youngish, vulgar Myra, Dolly persuades Pup to cast an evil spell on their "wicked stepmother"—who does indeed quite promptly die. (The real cause: a botched attempt at self-abortion.) This, of course, only reaffirms Dolly's faith in Pup's powers. And when Dolly's new, first-ever friend, lovely Yvonne, reveals that her husband is deep in a homosexual affair, wacko Dolly—now hallucinating like crazy, hearing voices —insists that Pup come up with a spell to kill off Yvonne's gay rival. But it's Dolly herself who finally does non-magical murder. . . unhinged by jealousy (Pup and Yvonne pair off), alcoholism, paranoia, and—when Pup won't magically remove her birthmark —bitter disappointment. Where's the second story-line, you ask? Well, Dolly will predictably meet her violent end from a neighborhood maniac—whose psychotic doings are dropped in now and again. And this contrived subplot is a significant flaw here. But, if less masterful than the best Rendell psycho-suspense (Judgement in Stone, Make Death Love Me), this is a strong improvement over Master of the Moor—with genuine, haunting creepiness and achingly pathetic irony in the central portrait: an obsessed brother and sister, one surfacing to sanity while the other sinks ever deeper into madness.
Pub Date: May 29, 1984
ISBN: 0517629909
Page Count: -
Publisher: Pantheon
Review Posted Online: April 9, 2012
Kirkus Reviews Issue: April 15, 1984
A suspenseful, professional-grade north country procedural whose heroine, a deft mix of compassion and attitude, would be...
Box takes another break from his highly successful Joe Pickett series (Stone Cold, 2014, etc.) for a stand-alone about a police detective, a developmentally delayed boy, and a package everyone in North Dakota wants to grab.
Cassandra Dewell can’t leave Montana’s Lewis and Clark County fast enough for her new job as chief investigator for Jon Kirkbride, sheriff of Bakken County. She leaves behind no memories worth keeping: her husband is dead, her boss has made no bones about disliking her, and she’s looking forward to new responsibilities and the higher salary underwritten by North Dakota’s sudden oil boom. But Bakken County has its own issues. For one thing, it’s cold—a whole lot colder than the coldest weather Cassie’s ever imagined. For another, the job she turns out to have been hired for—leading an investigation her new boss doesn’t feel he can entrust to his own force—makes her queasy. The biggest problem, though, is one she doesn’t know about until it slaps her in the face. A fatal car accident that was anything but accidental has jarred loose a stash of methamphetamines and cash that’s become the center of a battle between the Sons of Freedom, Bakken County’s traditional drug sellers, and MS-13, the Salvadorian upstarts who are muscling in on their territory. It’s a setup that leaves scant room for law enforcement officers or for Kyle Westergaard, the 12-year-old paperboy damaged since birth by fetal alcohol syndrome, who’s walked away from the wreck with a prize all too many people would kill for.
A suspenseful, professional-grade north country procedural whose heroine, a deft mix of compassion and attitude, would be welcome to return and tie up the gaping loose end Box leaves. The unrelenting cold makes this the perfect beach read.Pub Date: July 28, 2015
ISBN: 978-0-312-58321-7
Page Count: 272
Publisher: Minotaur
Review Posted Online: April 21, 2015
Kirkus Reviews Issue: May 15, 2015
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
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