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A CHORUS OF BUFFALO

REFLECTIONS ON WILDLIFE POLITICS AND AN AMERICAN ICON

Rudner seems to never have met a buffalo she didn't like. She eschews facts and statistics for dreamy mysticism and mangled...

A journalist's account of her mystical encounters with buffalos and the handful of human beings as passionate as she is about their fate.

Rudner (Greetings from Wisdom Montana, not reviewed) confronted her first buffalo when she first explored Yellowstone National Park by snowmobile in 1982. Her interest in these and other park wildlife eventually led her to a part-time career as an instructor and tour guide for the Yellowstone Institute, where she learned that the bison—having been slaughtered nearly to extinction in the late 19th century—are now being nurtured and protected within the park and on Indian reservations. Within the last 20 years, however, a few Montana buffalo have been found to be infected with brucellosis. Federal laws require that if the disease is found in cattle (buffalo could infect cattle if they mate with them), all cattle in the herd must be killed. A wide outbreak of brucellosis could lead to the banning of all beef from the state of Montana, so rather than wait for a catastrophe, ranchers have called for the slaughter of infected buffalo and a general thinning of existing herds to keep buffalo away from cattle-grazing areas. Rudner tries to report on as many sides of the controversy as she can, but after a brief visit to a friendly, hardworking rancher, she spends most of her time in the company of reverent Indians who talk of visions, shed tears about the past, and use their herds for food, religious ceremonies, and occasional profit. Her best essay, about a third-generation buffalo trainer and rodeo performer, suggests that (with enough accommodation, respect, and barley cakes) man and buffalo can coexist.

Rudner seems to never have met a buffalo she didn't like. She eschews facts and statistics for dreamy mysticism and mangled metaphors (at one point she declares that `we could use a little music, something that weaves harmony from the dissonance of polarized voices`). Those looking for serious reportage will find more bull than buffalo.

Pub Date: June 1, 2000

ISBN: 1-58080-049-1

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2000

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THE BOOK OF EELS

OUR ENDURING FASCINATION WITH THE MOST MYSTERIOUS CREATURE IN THE NATURAL WORLD

Unsentimental nature writing that sheds as much light on humans as on eels.

An account of the mysterious life of eels that also serves as a meditation on consciousness, faith, time, light and darkness, and life and death.

In addition to an intriguing natural history, Swedish journalist Svensson includes a highly personal account of his relationship with his father. The author alternates eel-focused chapters with those about his father, a man obsessed with fishing for this elusive creature. “I can’t recall us ever talking about anything other than eels and how to best catch them, down there by the stream,” he writes. “I can’t remember us speaking at all….Because we were in…a place whose nature was best enjoyed in silence.” Throughout, Svensson, whose beat is not biology but art and culture, fills his account with people: Aristotle, who thought eels emerged live from mud, “like a slithering, enigmatic miracle”; Freud, who as a teenage biologist spent months in Trieste, Italy, peering through a microscope searching vainly for eel testes; Johannes Schmidt, who for two decades tracked thousands of eels, looking for their breeding grounds. After recounting the details of the eel life cycle, the author turns to the eel in literature—e.g., in the Bible, Rachel Carson’s Under the Sea Wind, and Günter Grass’ The Tin Drum—and history. He notes that the Puritans would likely not have survived without eels, and he explores Sweden’s “eel coast” (what it once was and how it has changed), how eel fishing became embroiled in the Northern Irish conflict, and the importance of eel fishing to the Basque separatist movement. The apparent return to life of a dead eel leads Svensson to a consideration of faith and the inherent message of miracles. He warns that if we are to save this fascinating creature from extinction, we must continue to study it. His book is a highly readable place to begin learning.

Unsentimental nature writing that sheds as much light on humans as on eels.

Pub Date: May 5, 2020

ISBN: 978-0-06-296881-4

Page Count: 256

Publisher: Ecco/HarperCollins

Review Posted Online: Feb. 29, 2020

Kirkus Reviews Issue: March 15, 2020

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A FIRE STORY

Drawings, words, and a few photos combine to convey the depth of a tragedy that would leave most people dumbstruck.

A new life and book arise from the ashes of a devastating California wildfire.

These days, it seems the fires will never end. They wreaked destruction over central California in the latter months of 2018, dominating headlines for weeks, barely a year after Fies (Whatever Happened to the World of Tomorrow?, 2009) lost nearly everything to the fires that raged through Northern California. The result is a vividly journalistic graphic narrative of resilience in the face of tragedy, an account of recent history that seems timely as ever. “A two-story house full of our lives was a two-foot heap of dead smoking ash,” writes the author about his first return to survey the damage. The matter-of-fact tone of the reportage makes some of the flights of creative imagination seem more extraordinary—particularly a nihilistic, two-page centerpiece of a psychological solar system in which “the fire is our black hole,” and “some veer too near and are drawn into despair, depression, divorce, even suicide,” while “others are gravitationally flung entirely out of our solar system to other cities or states, and never seen again.” Yet the stories that dominate the narrative are those of the survivors, who were part of the community and would be part of whatever community would be built to take its place across the charred landscape. Interspersed with the author’s own account are those from others, many retirees, some suffering from physical or mental afflictions. Each is rendered in a couple pages of text except one from a fellow cartoonist, who draws his own. The project began with an online comic when Fies did the only thing he could as his life was reduced to ash and rubble. More than 3 million readers saw it; this expanded version will hopefully extend its reach.

Drawings, words, and a few photos combine to convey the depth of a tragedy that would leave most people dumbstruck.

Pub Date: March 5, 2019

ISBN: 978-1-4197-3585-1

Page Count: 160

Publisher: Abrams ComicArts

Review Posted Online: Nov. 25, 2018

Kirkus Reviews Issue: Dec. 15, 2018

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