A STORM OF HORSES

A profile of groundbreaking 19th-century French animalier Rosa Bonheur.

Sanderson, herself a realistic painter whose initial artistic inspiration was horses, crafts an engaging biography whose dramatic oil compositions and engrossing narrative will pull in other equine aficionados. Peppering the text with horse imagery (Rosa “galloped into the world” and was sent “trotting back home” for being naughty at boarding school), Sanderson describes how Bonheur (1822-1899) was introduced to art as a child by her artist father who took her under his tutelage. At school, she “covered her papers with animal sketches,” and as a teenager, she trained at the Louvre; Bonheur went on to study horse anatomy at a medical school and horse musculature at a slaughterhouse. Sanderson explains the period’s limitations on women’s ambitions and its expectations regarding marriage—something headstrong Bonheur had “no interest in.” Thus, it is impressive that her paintings were shown at the Paris Salon annual exhibition, where she won a gold medal. It was her masterpiece, The Horse Fair, however—at 8 feet tall by 16 ½ feet wide—that garnered international attention and the most critical praise. Sanderson details the various steps in executing a work of this scale; the illustrations depict the painting studies, red ochre outlines and layering, and Bonheur on a ladder adding personality to each horse. Sanderson states that Bonheur was aided by her “companion” Nathalie. The extensive backmatter includes information about Bonheur’s lesbian identity.

An inspiring glimpse into the talent and drive of a woman who marched to the beat of a different drummer.