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CROSS A BRIDGE

Name: CROSS A BRIDGE
Author: Ryan Ann Hunter
ISBN: 0-8234-1340-3

by Ryan Ann Hunter & Edward Miller ‧ RELEASE DATE: March 15, 1998

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Young construction and transportation enthusiasts are inducted into the world of bridges with this boldly illustrated primer. Four blue rivers slice the green grassy plains of endpapers, punctuated by eight kinds of bridges, from suspension and trestle to pontoon and beam. Miller arranges clean-cut geometric shapes and flat, bright colors into arresting compositions: A lone beam bridge stretches diagonally across a wide blue lake, while suspension and arch bridges surround a city skyline. The text is exceedingly brief and oversimplified; at times it is perfunctory, with an emphasis—on the crossing of bridges rather than on static structures—that may confuse some children: “They carry cars full of people. They carry trucks, busses, and trains, too, full of people and all kinds of things that people need.” The height and length of bridges in Colorado and New Orleans are mentioned but never named; there’s a cursory reference to the more than 30 bridges of Paris. The text finally takes flight on the last page, reaching beyond the mechanical, with “Bridges are for sitting, and fishing, and wishing.” (Picture book. 3-6)

Pub Date: March 15, 1998

ISBN: 0-8234-1340-3

Page Count: 32

Publisher: Holiday House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1998

Categories:

CHILDREN'S GENERAL CHILDREN'S

- BOOK REVIEW
IN DISGUISE!
by Ryan Ann Hunter

- BOOK REVIEW
ROBOTS SLITHER
by Ryan Ann Hunter & illustrated by Julia Gorton

- BOOK REVIEW
DIG A TUNNEL
by Ryan Ann Hunter

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TSUNAMI!

by Kimiko Kajikawa & illustrated by Ed Young ‧ RELEASE DATE: Jan. 1, 2009

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Through quick thinking and personal sacrifice, a wise old Japanese farmer saves the people of his village from a devastating tsunami in this simple yet striking story based on Lafcadio Hearn’s “A Living God.” Ojiisan lives in a cottage on a mountain overlooking the village and sea. One day, villagers gather to celebrate the rice harvest, but Ojiisan stays home thinking “something does not feel right.” When the earth quakes and the sea darkens and runs away from the land, Ojiisan realizes a tsunami approaches. Fearing the oblivious villagers will be swept away, Ojiisan torches his rice fields to attract attention, and they respond, barely escaping the monster wave. Rendered in gouache, pastel and collage, Young’s illustrations cleverly combine natural textures, bold colors and abstract shapes to convey compelling images of chaos and disaster as the rice fields burn and the wave rushes in. In one literally breathtaking double-page spread, an enormous wall of water engulfs the teeny seacoast village. A visually powerful and dramatic tribute to one man’s willingness to sacrifice everything for others. (Picture book. 3-5)

Pub Date: Jan. 1, 2009

ISBN: 978-0-399-25006-4

Page Count: 32

Publisher: Philomel

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2008

Categories:

CHILDREN'S GENERAL CHILDREN'S

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THE GRUFFALO

by Julia Donaldson illustrated by Axel Scheffler ‧ RELEASE DATE: June 1, 1999

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The action of this rhymed and humorous tale centers upon a mouse who "took a stroll/through the deep dark wood./A fox saw the mouse/and the mouse looked good." The mouse escapes being eaten by telling the fox that he is on his way to meet his friend the gruffalo (a monster of his imagination), whose favorite food is roasted fox. The fox beats a hasty retreat. Similar escapes are in store for an owl and a snake; both hightail it when they learn the particulars: tusks, claws, terrible jaws, eyes orange, tongue black, purple prickles on its back. When the gruffalo suddenly materializes out of the mouse's head and into the forest, the mouse has to think quick, declaring himself inedible as the "scariest creature in the deep dark wood," and inviting the gruffalo to follow him to witness the effect he has on the other creatures. When the gruffalo hears that the mouse's favorite food is gruffalo crumble, he runs away. It's a fairly innocuous tale, with twists that aren't sharp enough and treachery that has no punch. Scheffler's funny scenes prevent the suspense from culminating; all his creatures, predator and prey, are downright lovable. (Picture book. 3-6)