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THE WITCHES' HOLLOW

A complex and intensely cinematic fantasy debut.

Awards & Accolades

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A man wrestles with his past while attempting to free a village of an evil entity in this debut paranormal thriller. 

Scarlet’s novel focuses on Arthur Montesque, a downtrodden alcoholic and former professional investigator who’s seen happier days. However, one fateful day, he receives a mysterious letter requesting his assistance on a life-changing assignment. The sender, an antiques collector named L.A. Calesanti, wants Montesque to conduct business on his behalf in the small, heavily forested hamlet of Lost Hollow, which, he writes, will feel like “stepping through a portal to the past.” With lucrative compensation provided in advance, Montesque jumps at the opportunity and soon arrives at a forest’s edge after days of traveling on foot and horseback; meanwhile, back at home, his abode mysteriously bursts into flames and burns to the ground. Montesque finally arrives in the town, which features ominous caves, black “Shadowspire” mountains, and superstitious citizens who are terrified of the path into the woods that borders their home. The strange new surroundings seem to play with the investigator’s sense of reality, but they’re also where he discovers that he has hidden powers of his own. In the town, he meets a local barmaid named Vanessa, whom he instantly lusts after, and Scarlet’s heavily detailed descriptions of Montesque’s sexual dalliances (with Vanessa and others) add zest and spice to the novel. In a series of cryptic letters, Montesque is charged with looking into the disappearance of Calesanti’s assistant, who went missing after attempting to locate and purchase an ancient relic. While in the tiny hamlet, Montesque also wants to investigate a vicious forest “beast” called the Morrowen, which he saw during his ride into Lost Hollow. As he and Vanessa become closer, she explains to him that the town is powered by magic, which she calls the “one thing that science will never be able to explain”—and which made the path that he followed into the town suddenly disappear. Banding together with Briar, a local huntsman, they set out to conquer the terrible evil that lives in the woods. However, Scarlet proves to be a highly imaginative author and has much more in store for readers of this serpentine tale of sorcery and wizardry. In one memorable scene, for example, demons reveal a “spectral lens” conduit that they use for transportation, as crackles of black energy snap across Montesque’s vision. Slowly but surely, the protagonist draws closer to solving the mystery of the missing assistant while also fiercely battling creatures lurking in the forest’s shadows—including an enemy that no one saw coming. The author fills this novel’s energetic plot with unexpected twists, and it’s clearly written with seasoned horror-fantasy fans in mind. Scarlet is also quite adept at characterization and ably conjures occult elements as part of the overall worldbuilding. One notable scene involving demons battling a surprisingly powerful Montesque in a dream realm and another involving Calesanti and his daughter are rendered in an especially vivid manner.

A complex and intensely cinematic fantasy debut. 

Pub Date: Oct. 22, 2019

ISBN: 978-1-951237-00-4

Page Count: 358

Publisher: Lonely Lighthouse Publications

Review Posted Online: Dec. 13, 2019

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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