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IN AN AWFUL WAY

From the The Dangerous Things Trilogy series , Vol. 2

A heartbreaking commentary on the importance of making sound choices.

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A down-on-her-luck divorcée falls for a younger guy and faces one disaster after another. 

This second installment of The Dangerous Things Trilogy continues to tell the story of hapless Hester Randal. Following the catastrophic demise of her marriage in the first novel (On the Edge of Dangerous Things, 2013), middle-aged Hester is now single, broke, unemployable, and effectively homeless. In order to make ends meet, she is forced to sell many of the valuable belongings she has acquired over the years. She ends up at a flea market in Lambertville, New Jersey, where she sells her treasures for far less than they are worth. The strapping young owner of the flea market, Jimmy Raymer, takes pity on Hester, his altruism culminating in their drunken lovemaking in the back of a van. In his post-coital guilt, Jimmy offers Hester lodging in the closet of his office at the flea market. Meanwhile, Jimmy reunites with his ex-fiancee, Cecilia Kurts, a woman who brings nothing but misery to Hester’s already complicated life. As Hester tries to navigate her personal difficulties, her relationship with Jimmy and Cecilia grows increasingly precarious, and the reader fears for Hester’s sanity as well as her safety. In this raw and gritty sequel, Snyder-Carroll (Click…Kill, 2015, etc.) unapologetically details Hester’s many mistakes and miscalculations, decisions that repeatedly sabotage the character’s own happiness. The writing is chock-full of rich imagery and cringeworthy descriptions of the deterioration of Hester’s physical appearance and personal hygiene as she battles poverty (at one point, she muses about “rummaging through the trash and sleeping in the same clothes for a couple of weeks now”). With a character-driven plot and fast-paced storyline, the tale should easily keep readers engaged. Despite the accessible nature of the narrative style, the book tackles many weighty topics in this sobering story, ranging from mental health issues and sexual identity to infertility, blended families, and child custody. Suspenseful situations and improbable hope should keep readers turning pages as they race to determine whether Hester will ever manage to get anything right. Loose ends abound at the tale’s conclusion, leaving plenty of room for the next installment. 

A heartbreaking commentary on the importance of making sound choices.

Pub Date: Nov. 28, 2014

ISBN: 978-1-5008-6120-9

Page Count: 266

Publisher: CreateSpace

Review Posted Online: Feb. 7, 2017

Kirkus Reviews Issue: March 1, 2017

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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