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LETTERS TO CEPHAS: BOOK ONE

THE TRAVELS OF THOMAS THE APOSTLE TO THE MALABAR COAST OF SOUTH INDIA

Compelling and well-researched, yet not quite relatable.

A fictionalized account of the Apostle Thomas’ travels following Jesus’ Crucifixion.

Villoth’s book, the first in a series, begins with the death of Thomas (here called “Thoma”) before flashing back to the Crucifixion of Christ (here called “Yeshua”) and Thoma’s subsequent journeys to preach the Gospel. An editor’s note reveals that the story has been reconstructed from scrolls found in the writer’s “ancestral house”: letters from Thomas to the Apostle Peter, called “Cephas” in the text. The use of Hebrew names for the characters can be confusing for readers trying to link the Hebrew names to their better-known biblical counterparts, but this choice lends authenticity to the story and helps maintain Villoth’s rich mood. The prose is voluptuous and imaginative, with sentences that twist and turn around the sights and smells of the ancient world as Thoma makes his way from Jerusalem to India: e.g., “…the tapestry of busy-ness being woven together by every living strand of muscle and sinew that was Damascus.” Plot-wise, the nature of Thoma’s relationship with his brother Yeshua is hinted at, though it never becomes abundantly clear. At one point, Thoma writes, “Yeshua betrayed us!...He who could mend bones, bestow sight, exorcise demons, he could not do that for us, at Golgotha?”; ultimately, though, readers never get a clear sense of Thoma’s emotional arc. The plot meanders somewhat, sometimes getting lost in the details, though it maintains a line of ancient mysticism that unifies Thoma’s experiences, including his encountering people of various faiths and discovering the ways early Christianity intersects. Clearly well-versed in the religious and political dimensions of the time, Villoth brings new insight into biblical territory, but these details can get in the way of plot and character development, which may turn off readers looking for a good story rather than a fictional take on biblical times.

Compelling and well-researched, yet not quite relatable.

Pub Date: May 18, 2014

ISBN: 978-1499203462

Page Count: 324

Publisher: CreateSpace

Review Posted Online: Sept. 5, 2014

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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