A gonzo adventure novel that shreds the conventional wisdom that pulp can be pigeonholed.
In the dark days leading up to the Iraq War, two black marketeers blunder into an ancient conspiracy involving a secret sect of Islamic mystics.
Here’s the thing: If you’re going to write pulp fiction, jump in with both feet and let the blood fly. That’s what Bangladesh-based journalist Hossain has done in this kinetic debut novel set in the exploding streets of Baghdad. Our “good guys,” so to speak, are Dagr, a widowed former professor of economics who's turned to crime in the wake of the U.S. invasion, and Kinza, an anarchist berserker who can’t wait for the bad things to come—“When the rage comes, just stay behind him, that’s all,” warns Dagr of Kinza. It wasn't very pretty in the city in those days. “It’s a war,” observes one of Kinza’s corrupt connections. “We kill you, you kill us, who cares? The important thing is to have a sense of humor about it. When we were bombing the Kurds, do you think they were crying like babies?” This bickering duo is trying to get out of the city when they’re hired by a local sheik to track down the shadowy “Lion of Akkad,” a suspected serial killer who turns out to be a centenarian mental patient named Afzal Taha with ties to the Druze, the aforementioned cult. Unfortunately, during a skirmish, Kinza shoots the son of Hassan Salemi, a particularly nasty imam with a thirst for bloodshed. To facilitate their movement through the war-torn city, the two renegades enlist the help of Marine Pvt. Hoffman, a dope-smoking, rule-breaking hooligan who’s supposed to be looking for weapons of mass destruction but really just wants to be in country to “blow shit up.” It’s a marvelous mix of genres, blending the visceral atmosphere of a war movie with the casual nihilism of Catch-22 or the original M.A.S.H. complete with an Indiana Jones–style treasure quest to employ a mystical watch that doesn’t tell time to unleash the ancient power of the Druze before the sect’s ancient Alchemist, the real enemy, catches up with them.
A gonzo adventure novel that shreds the conventional wisdom that pulp can be pigeonholed.Pub Date: March 17, 2015
ISBN: 978-1-939419-24-8
Page Count: 256
Publisher: Unnamed Press
Review Posted Online: Jan. 7, 2015
Kirkus Reviews Issue: Jan. 15, 2015
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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