Murray’s writing is chilly, but she is astute about the addictive nature of adventure and the unnerving relationship between...
In 10 stories by Murray (Forgery, 2007, etc.), historical figures adventure into new worlds largely because they feel excluded in their old ones.
“Fish,” practically a novella, introduces and lays out the theme of outsider-turned-explorer in the story of Mary Kingsley. A meekly subservient Victorian daughter, she barely leaves her house until she is 29. Then using her health as an excuse, she travels to the Canary Islands. Soon she’s hiking into the African interior where no Brit has gone before. Murray focuses on Kingsley’s interior life, the fairies that bedevil her as she defies convention. The stories that follow seldom display the same emotional complexity, although “His Actual Mark” comes close: In old age Edward Jon Eyre tries to reconcile the disconnect between his 1840 trek across Australia alone with a young aborigine, to whom he owes his survival, and his controversial fame for suppressing rebellion among Jamaican blacks 25 years later. “Paradise” probes the identity of Jim Jones of Jonestown infamy, and by extension other monster leaders from Pol Pot to Idi Amin to Hitler. The monsters of “The Solace of Monsters” are both whales and the whalers who hunt and fear them. Buccaneer William Dampier sails around the world three times, sometimes with the British government’s blessing. Readers may wonder if the young Jesuit who becomes Dr. Murray and travels to the Far East is the author’s father, but the story “Periplus” feels more philosophic than personal. Elsewhere, a self-proclaimed Venetian scholar sailing with Magellan chronicles the explorer’s wrongheaded choices even as he falls in love with him. A seer helplessly foretells the destruction of the Aztecs by the Spanish invasion. “Balboa” is a pig farmer escaping debt. And finally while visiting “On Sakhalin” and taking a fake census of the penal colony, Chekhov represents the storywriter as explorer and outsider both.
Murray’s writing is chilly, but she is astute about the addictive nature of adventure and the unnerving relationship between the explorer and those he explores/hunts.Pub Date: Nov. 1, 2011
ISBN: 978-0-8021-7083-5
Page Count: 272
Publisher: Black Cat/Grove
Review Posted Online: Oct. 10, 2011
Kirkus Reviews Issue: Nov. 1, 2011
Old-fashioned short fiction: honest, probing and moving.
One of America’s great novelists (Lost Memory of Skin, 2011, etc.) also writes excellent stories, as his sixth collection reminds readers.
Don’t expect atmospheric mood poems or avant-garde stylistic games in these dozen tales. Banks is a traditionalist, interested in narrative and character development; his simple, flexible prose doesn’t call attention to itself as it serves those aims. The intricate, not necessarily permanent bonds of family are a central concern. The bleak, stoic “Former Marine” depicts an aging father driven to extremes because he’s too proud to admit to his adult sons that he can no longer take care of himself. In the heartbreaking title story, the death of a beloved dog signals the final rupture in a family already rent by divorce. Fraught marriages in all their variety are unsparingly scrutinized in “Christmas Party,” Big Dog” and “The Outer Banks." But as the collection moves along, interactions with strangers begin to occupy center stage. The protagonist of “The Invisible Parrot” transcends the anxieties of his hard-pressed life through an impromptu act of generosity to a junkie. A man waiting in an airport bar is the uneasy recipient of confidences about “Searching for Veronica” from a woman whose truthfulness and motives he begins to suspect, until he flees since “the only safe response is to quarantine yourself.” Lurking menace that erupts into violence features in many Banks novels, and here, it provides jarring climaxes to two otherwise solid stories, “Blue” and “The Green Door.” Yet Banks quietly conveys compassion for even the darkest of his characters. Many of them (like their author) are older, at a point in life where options narrow and the future is uncomfortably close at hand—which is why widowed Isabel’s fearless shucking of her confining past is so exhilarating in “SnowBirds,” albeit counterbalanced by her friend Jane’s bleak acceptance of her own limited prospects.
Old-fashioned short fiction: honest, probing and moving.Pub Date: Nov. 12, 2013
ISBN: 978-0-06-185765-2
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: Aug. 31, 2013
Kirkus Reviews Issue: Sept. 15, 2013
Superb stylist L’Amour returns (End of the Drive, 1997, etc.), albeit posthumously, with ten stories never seen before in book form—and narrated in his usual hard-edged, close-cropped sentences, jutting up from under fierce blue skies. This is the first of four collections of L’Amour material expected from Bantam, edited by his daughter Angelique, featuring an eclectic mix of early historicals and adventure stories set in China, on the high seas, and in the boxing ring, all drawing from the author’s exploits as a carnival barker and from his mysterious and sundry travels. During this period, L’Amour was trying to break away from being a writer only of westerns. Also included is something of an update on Angelique’s progress with her father’s biography: i.e., a stunningly varied list of her father’s acquaintances from around the world whom she’d like to contact for her research. Meanwhile, in the title story here, a missionary’s daughter who crashes in northern Asia during the early years of the Sino-Japanese War is taken captive by a nomadic leader and kept as his wife for 15 years, until his death. When a plane lands, she must choose between taking her teenaged son back to civilization or leaving him alone with the nomads. In “By the Waters of San Tadeo,” set on the southern coast of Chile, Julie Marrat, whose father has just perished, is trapped in San Esteban, a gold field surrounded by impassable mountains, with only one inlet available for anyone’s escape. “Meeting at Falmouth,” a historical, takes place in January 1794 during a dreadful Atlantic storm: “Volleys of rain rattled along the cobblestones like a scattering of broken teeth.” In this a notorious American, unnamed until the last paragraph, helps Talleyrand flee to America. A master storyteller only whets the appetite for his next three volumes.
Pub Date: May 11, 1999
ISBN: 0-553-10963-4
Page Count: 288
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1999
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