An enthusiastic and unique assessment of the Shakespeare authorship question that, while still leaving the debate...
An argument in favor of Thomas Sackville as the author of Shakespeare’s plays and poetry.
In this follow-up to The Apocryphal William Shakespeare (2011), Feldman expands on her contention that Elizabethan courtier Thomas Sackville, Lord Buckhurst, is the actual author of the plays and sonnets generally associated with William Shakespeare, while the actor William Shakespeare was actually responsible for a group of lesser plays mostly ignored by historians and critics. The book establishes 60 “attributes” that define the author (“Knowledge of the 1575 Kenilworth Festivities,” “Attracted to Both Magnificence and Simplicity”) then proceeds to find textual evidence for each attribute in Shakespeare’s writings, along with evidence that these clearly apply to Sackville. One chapter addresses each attribute’s applicability to writer Shakespeare, positing that few, if any, can be conclusively applied to the actor. The author is clearly knowledgeable about her subject, and she details her sources in an appendix of chapter notes, though as with The Apocryphal William Shakespeare, the format of the references makes it difficult to connect citations to the body of the narrative. While the idea that Thomas Sackville wrote Shakespeare’s plays may require too many assumptions and inferences to persuade the reader, Feldman is unquestionably convincing as a proponent of the pleasures of exploring the works from a new angle, “discovering how many lesser known and seldom performed Shakespearean works take on an entirely new interest and meaning from a Sackvillian perspective.” The arguments in favor of Thomas Sackville are unlikely to put an end to the ongoing debate over Shakespeare’s true identity, but Feldman has presented an engaging new perspective that gives Stratford-ian skeptics a strong new contender for the man behind the works.
An enthusiastic and unique assessment of the Shakespeare authorship question that, while still leaving the debate unresolved, may convince even open-minded Stratford-ians of the plausibility of its analysis.Pub Date: Sept. 6, 2015
ISBN: 978-1-50-299647-3
Page Count: 384
Publisher: CreateSpace
Review Posted Online: Oct. 26, 2015
Kirkus Reviews Issue: Dec. 1, 2015
Review Program: Kirkus Indie
BOOK REVIEW
Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.
Pub Date: June 13, 1995
ISBN: 0-399-14059-X
Page Count: 400
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1995
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...
The traumatic homecoming of a wounded warrior.
The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart.
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.Pub Date: Jan. 31, 2012
ISBN: 978-0-312-57720-9
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Dec. 18, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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