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WILD MILK

Stories in which laughter is sometimes the only response to sorrow, beauty is strange, and love is fierce and unending. A...

Mark (Tsim Tsum, 2009, etc.) turns her poet's eye to the sublimely surreal in this collection of domestic oddities.

Over the course of 24 short, strange tales, Mark exposes the reader to the woman who loses her baby in the blizzard created when his caretaker begins to snow; the woman who marries Poems; the woman who becomes a tree to float her giant daughters to safety; the woman who does not eat the child. Though each of these characters is embroiled in a different danger, the sense of them as archetypes (the woman rather than a woman) and further as facets of the author's own lived experience filtered through a private symbology renders the stories at once both more universal and more personal. It is a fine slight of hand which Mark performs over and over throughout the collection: Language as precise and bitter as a pill is used to describe both the unknown and the unknowable; utterly impossible characters remind us uncomfortably of ourselves. The stories drift in the way of the best fairy tales—released from dependence on narrative sensibility to become both more odd and more true than any mere fiction. Many utilize a dream's abrupt authority. "Louis C.K., my husband, piles all my seahorses in the middle of our king-sized bed and starts shouting," begins "Let's Do This Once More, But This Time with Feeling." Other stories deploy a poet's love of words for words' sake in long, luxurious taxonomies: "The husband doesn't want his seventh wife to be sad and so he brings her Flounder. He brings her Mullet, Snook, Pickerel, Salmon, and Perch. He brings her Grunt. He brings her Bitterling and Milkfish. He brings her Tuna." Regardless of their form or feel, each is a fully rendered exploration of impossibility that loses nothing in its translation from the author's imagination to the reader's eye. It is a common cop-out to label the vagaries of nontraditional fiction written by women as experiments in language or voice and thus dismiss their agency in the "real" world in which plot-based fictions thrive. This collection, however, through both its humor and its sorrow, rings a universal chord. How to make sense of a world that refutes all sense and yet murders us when we cannot anticipate its next move? How to love in a world that uses our love as a weapon?

Stories in which laughter is sometimes the only response to sorrow, beauty is strange, and love is fierce and unending. A necessary book for our perilous age.

Pub Date: Oct. 1, 2018

ISBN: 978-0-9973666-8-6

Page Count: 168

Publisher: Dorothy

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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THE THINGS THEY CARRIED

It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.

Pub Date: March 28, 1990

ISBN: 0618706410

Page Count: 256

Publisher: Houghton Mifflin

Review Posted Online: Oct. 2, 2011

Kirkus Reviews Issue: Feb. 15, 1990

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SIGHTSEEING

STORIES

A newcomer to watch: fresh, funny, and tough.

Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.

In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.

A newcomer to watch: fresh, funny, and tough.

Pub Date: Jan. 1, 2005

ISBN: 0-8021-1788-0

Page Count: 224

Publisher: Grove

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2004

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