Grindley (Where Are My Chicks?, 2002, etc.) retells the classic tale with only a slight nod to the familiar Disney version and little of the special magic of Nancy Willard with Leo and Diane Dillon, who made the apprentice a young woman. In a spooky stone castle surrounded by padlocked gates lives a seldom-seen sorcerer and his young apprentice. The boy wants nothing more than to follow in the older man’s footsteps and he obediently does everything asked of him. But gradually, his patience wears thin while waiting for the master to teach him, so he takes matters into his own hands. The broom, the water, the multiplying brooms, the overflowing water, it’s all there. But the upshot is that this sorcerer realizes he should give the apprentice a chance. This Harry Potter for the toddler set will delight young readers with its abundance of full-bleed illustrations of things mysterious and magical. And unlike the Disney sorcerer, this wizard is the kindly grandfather type, with a full white beard and gentle green eyes. Taylor’s characters are filled with life, and their faces are wonderfully expressive, while his castle is a place the curious would love to explore. Just right for aspiring young magicians. (Picture book. 4-8)
Pub Date: May 1, 2001
ISBN: 0-8037-2726-7
Page Count: 32
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 2002
A delicious triumph over fear of night creatures.
Pippa conquers a fear of the creatures that emerge from her storybooks at night.
Pippa’s “wonderfully wild imagination” can sometimes run “a little TOO wild.” During the day, she wears her “armor” and is a force to be reckoned with. But in bed at night, Pippa worries about “villains and monsters and beasts.” Sharp-toothed and -taloned shadows, dragons, and pirates emerge from her storybooks like genies from a bottle, just to scare her. Pippa flees to her parents’ room only to be brought back time and again. Finally, Pippa decides that she “needs a plan” to “get rid of them once and for all.” She decides to slip a written invitation into every book, and that night, they all come out. She tries subduing them with a lasso, an eye patch, and a sombrero, but she is defeated. Next, she tries “sashes and sequins and bows,” throwing the fashion pieces on the monsters, who…“begin to pose and primp and preen.” After that success, their fashion show becomes a nightly ritual. Clever Pippa’s transformation from scared victim of her own imagination to leader of the monster pack feels fairly sudden, but it’s satisfying nonetheless. The cartoony illustrations effectively use dynamic strokes, shadow, and light to capture action on the page and the feeling of Pippa's fears taking over her real space. Pippa and her parents are brown-skinned with curls of various textures.
A delicious triumph over fear of night creatures. (Picture book. 4-7)Pub Date: Oct. 8, 2019
ISBN: 978-1-5420-9300-2
Page Count: 32
Publisher: Two Lions
Review Posted Online: June 24, 2019
Kirkus Reviews Issue: July 15, 2019
A must-own adaptation chock-full of such stuff as kids’ dreams are—and will be—made on.
Mirth, magic, and mischief abound in this picture-book retelling of one of Shakespeare’s most famous plays.
Ariel, the beloved sprite whose conjurings precipitate the eponymous tempest, gets top billing in this adaptation and recounts the narrative in the first person. Through Ariel’s eyes, readers are introduced to the powerful Prospero, his lovely daughter, Miranda, and the shipwrecked nobles who are brought to the island to right an ancient wrong. Ellinas’ picture book largely divests the tale of its colonialist underpinnings and breathes three-dimensional complexity into the major and minor characters. Caliban, for instance, is monstrous due to his callous treatment of Ariel rather than because he is racially coded as savage. Another delightful change is the depiction of Miranda, who emerges as an athletic, spirited, and beautiful nature-child whose charms are understandably irresistible to Prince Ferdinand. The text is perfectly matched by Ray’s jaw-droppingly beautiful illustrations, which will enchant readers from the front cover to the final curtain. The greens of the waters and the blues of the island’s night sky are so lush and inviting that readers will wish they could enter the book. Peppered throughout the story are italicized fragments of Shakespeare’s dialogue, giving both young and older readers something to enjoy. Large, granite-colored Caliban is plainly nonhuman; the human characters present white; Ariel is a translucent, paper white.
A must-own adaptation chock-full of such stuff as kids’ dreams are—and will be—made on. (Picture book. 4-8)Pub Date: April 7, 2020
ISBN: 978-1-5362-1144-3
Page Count: 32
Publisher: Candlewick
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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