THE SORCERER’S APPRENTICE

Grindley (Where Are My Chicks?, 2002, etc.) retells the classic tale with only a slight nod to the familiar Disney version and little of the special magic of Nancy Willard with Leo and Diane Dillon, who made the apprentice a young woman. In a spooky stone castle surrounded by padlocked gates lives a seldom-seen sorcerer and his young apprentice. The boy wants nothing more than to follow in the older man’s footsteps and he obediently does everything asked of him. But gradually, his patience wears thin while waiting for the master to teach him, so he takes matters into his own hands. The broom, the water, the multiplying brooms, the overflowing water, it’s all there. But the upshot is that this sorcerer realizes he should give the apprentice a chance. This Harry Potter for the toddler set will delight young readers with its abundance of full-bleed illustrations of things mysterious and magical. And unlike the Disney sorcerer, this wizard is the kindly grandfather type, with a full white beard and gentle green eyes. Taylor’s characters are filled with life, and their faces are wonderfully expressive, while his castle is a place the curious would love to explore. Just right for aspiring young magicians. (Picture book. 4-8)

Pub Date: May 1, 2001

ISBN: 0-8037-2726-7

Page Count: 32

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 1, 2002

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A delicious triumph over fear of night creatures.

PIPPA'S NIGHT PARADE

Pippa conquers a fear of the creatures that emerge from her storybooks at night.

Pippa’s “wonderfully wild imagination” can sometimes run “a little TOO wild.” During the day, she wears her “armor” and is a force to be reckoned with. But in bed at night, Pippa worries about “villains and monsters and beasts.” Sharp-toothed and -taloned shadows, dragons, and pirates emerge from her storybooks like genies from a bottle, just to scare her. Pippa flees to her parents’ room only to be brought back time and again. Finally, Pippa decides that she “needs a plan” to “get rid of them once and for all.” She decides to slip a written invitation into every book, and that night, they all come out. She tries subduing them with a lasso, an eye patch, and a sombrero, but she is defeated. Next, she tries “sashes and sequins and bows,” throwing the fashion pieces on the monsters, who…“begin to pose and primp and preen.” After that success, their fashion show becomes a nightly ritual. Clever Pippa’s transformation from scared victim of her own imagination to leader of the monster pack feels fairly sudden, but it’s satisfying nonetheless. The cartoony illustrations effectively use dynamic strokes, shadow, and light to capture action on the page and the feeling of Pippa's fears taking over her real space. Pippa and her parents are brown-skinned with curls of various textures.

A delicious triumph over fear of night creatures. (Picture book. 4-7)

Pub Date: Oct. 8, 2019

ISBN: 978-1-5420-9300-2

Page Count: 32

Publisher: Two Lions

Review Posted Online: June 25, 2019

Kirkus Reviews Issue: July 15, 2019

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A close encounter of the best kind.

FIELD TRIP TO THE MOON

Left behind when the space bus departs, a child discovers that the moon isn’t as lifeless as it looks.

While the rest of the space-suited class follows the teacher like ducklings, one laggard carrying crayons and a sketchbook sits down to draw our home planet floating overhead, falls asleep, and wakes to see the bus zooming off. The bright yellow bus, the gaggle of playful field-trippers, and even the dull gray boulders strewn over the equally dull gray lunar surface have a rounded solidity suggestive of Plasticine models in Hare’s wordless but cinematic scenes…as do the rubbery, one-eyed, dull gray creatures (think: those stress-busting dolls with ears that pop out when squeezed) that emerge from the regolith. The mutual shock lasts but a moment before the lunarians eagerly grab the proffered crayons to brighten the bland gray setting with silly designs. The creatures dive into the dust when the bus swoops back down but pop up to exchange goodbye waves with the errant child, who turns out to be an olive-skinned kid with a mop of brown hair last seen drawing one of their new friends with the one crayon—gray, of course—left in the box. Body language is expressive enough in this debut outing to make a verbal narrative superfluous.

A close encounter of the best kind. (Picture book. 6-8)

Pub Date: May 14, 2019

ISBN: 978-0-8234-4253-9

Page Count: 40

Publisher: Margaret Ferguson/Holiday House

Review Posted Online: Feb. 6, 2019

Kirkus Reviews Issue: March 1, 2019

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