by Sally Rippin ; illustrated by Alisa Coburn ‧ RELEASE DATE: Sept. 1, 2017
Brimming with enthusiasm, emphasized words, and silly sounds, these cheery books will have emergent readers clamoring for...
The latest installment in the Billie’s Super-Duper Adventures series explores veterinarian dramatic play.
Billie is normally a preschooler set on high speed. She often bounds into school, ready for adventure. But on this particular day, the little white girl limps in, full of woe. She has a scrape on her knee. Brown-skinned Mr. Simon sympathizes with her pain and shows her that Teddy (a stuffed bear) also has an injury. Quick as a wink, Billie and her sidekick pal, Jack, also white, rush off in the cardboard ambulance. As they speed into a cloud of imagination, the classroom instantly transforms into an animal hospital with Dr. Billie and Nurse Jack treating a wide assortment of critters—even a large hippo that has eaten too much ice cream. True to child-doctor sensibilities, many an ailment can be healed with a superabundance of bandages and a spoonful of medicine. Billie and Jack also award star stickers to very brave patients. In the simultaneously publishing Billie’s Outer Space Adventure, Billie and Jack explore Planet Pom-Pom—of course coming up with a “super-duper idea” to save the day when they come across a stranded space tourist. The addition of a few new characters of various skin tones in both books is welcomed.
Brimming with enthusiasm, emphasized words, and silly sounds, these cheery books will have emergent readers clamoring for more. (Picture book. 3-6)Pub Date: Sept. 1, 2017
ISBN: 978-1-61067-607-6
Page Count: 24
Publisher: Kane Miller
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
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by Sally Rippin ; illustrated by Lucinda Gifford
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by Sally Rippin ; illustrated by Sally Rippin
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by Sally Rippin ; illustrated by Alisa Coburn
by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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More In The Series
adapted by Hannah Eliot ; illustrated by Nivea Ortiz
by Chloe Perkins ; illustrated by Dinara Mirtalipova
by Chloe Perkins ; illustrated by Archana Sreenivasan
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by Chloe Perkins ; illustrated by Dinara Mirtalipova
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by Chloe Perkins ; illustrated by Archana Sreenivasan
by Julia Donaldson illustrated by Axel Scheffler ‧ RELEASE DATE: June 1, 1999
The action of this rhymed and humorous tale centers upon a mouse who "took a stroll/through the deep dark wood./A fox saw the mouse/and the mouse looked good." The mouse escapes being eaten by telling the fox that he is on his way to meet his friend the gruffalo (a monster of his imagination), whose favorite food is roasted fox. The fox beats a hasty retreat. Similar escapes are in store for an owl and a snake; both hightail it when they learn the particulars: tusks, claws, terrible jaws, eyes orange, tongue black, purple prickles on its back. When the gruffalo suddenly materializes out of the mouse's head and into the forest, the mouse has to think quick, declaring himself inedible as the "scariest creature in the deep dark wood," and inviting the gruffalo to follow him to witness the effect he has on the other creatures. When the gruffalo hears that the mouse's favorite food is gruffalo crumble, he runs away. It's a fairly innocuous tale, with twists that aren't sharp enough and treachery that has no punch. Scheffler's funny scenes prevent the suspense from culminating; all his creatures, predator and prey, are downright lovable. (Picture book. 3-6)
Pub Date: June 1, 1999
ISBN: 0-8037-2386-5
Page Count: 32
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1999
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by Julia Donaldson ; illustrated by Axel Scheffler
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by Julia Donaldson ; illustrated by Helen Oxenbury
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by Julia Donaldson ; illustrated by Victoria Sandøy
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SEEN & HEARD
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