Hawken (The Dead Women of Juárez, 2012) spins an uncompromising Mexican-American version of the British miniseries Traffik...
An ex-con informant caught in the middle of the drugs-and-guns trade across the U.S.-Mexico border becomes a contested frontier himself, as cops and criminals battle for his loyalty and offer precious little in return.
Felipe "Flip" Morales has done his four years in the Coffield Unit without saying a word. That makes him a stand-up guy in José Martinez’s book, and Martinez wants Flip in his criminal organization. He doesn’t mind that Flip already has a job unloading containers in a warehouse owned by his mother’s boyfriend, Alfredo Rodriguez. When the time comes, in fact, Martinez plans to lean on Alfredo to take his money and do his bidding as well. But Flip has other plans. As soon as Martinez gets in touch with him, he gets in touch with Detective Cristina Salas, of the El Paso Police Department, who’s been spending her days working cases like that of the grocery owner threatened by kids who demand free sodas—while her counterparts across the border in Ciudad Juárez, including Matías Segura, work multiple homicides. That imbalance is ended by Flip’s information about Martinez’s plans to trade American guns for Mexican drugs, which entangles Cristina, Matías and Flip with Jamie McPeek, an FBI agent who will do whatever’s necessary to roll up Martinez’s operation, even if it means keeping her local colleagues in the dark and hanging Cristina’s confidential informant out to dry.
Hawken (The Dead Women of Juárez, 2012) spins an uncompromising Mexican-American version of the British miniseries Traffik that finds room for a dry-eyed look at everyone involved in the drug trade, with special attention reserved for the hapless Flip.Pub Date: June 10, 2014
ISBN: 978-1-84668-854-6
Page Count: 352
Publisher: Serpent’s Tail
Review Posted Online: June 26, 2014
Kirkus Reviews Issue: May 15, 2014
BOOK REVIEW
BOOK REVIEW
A suspenseful, professional-grade north country procedural whose heroine, a deft mix of compassion and attitude, would be...
Box takes another break from his highly successful Joe Pickett series (Stone Cold, 2014, etc.) for a stand-alone about a police detective, a developmentally delayed boy, and a package everyone in North Dakota wants to grab.
Cassandra Dewell can’t leave Montana’s Lewis and Clark County fast enough for her new job as chief investigator for Jon Kirkbride, sheriff of Bakken County. She leaves behind no memories worth keeping: her husband is dead, her boss has made no bones about disliking her, and she’s looking forward to new responsibilities and the higher salary underwritten by North Dakota’s sudden oil boom. But Bakken County has its own issues. For one thing, it’s cold—a whole lot colder than the coldest weather Cassie’s ever imagined. For another, the job she turns out to have been hired for—leading an investigation her new boss doesn’t feel he can entrust to his own force—makes her queasy. The biggest problem, though, is one she doesn’t know about until it slaps her in the face. A fatal car accident that was anything but accidental has jarred loose a stash of methamphetamines and cash that’s become the center of a battle between the Sons of Freedom, Bakken County’s traditional drug sellers, and MS-13, the Salvadorian upstarts who are muscling in on their territory. It’s a setup that leaves scant room for law enforcement officers or for Kyle Westergaard, the 12-year-old paperboy damaged since birth by fetal alcohol syndrome, who’s walked away from the wreck with a prize all too many people would kill for.
A suspenseful, professional-grade north country procedural whose heroine, a deft mix of compassion and attitude, would be welcome to return and tie up the gaping loose end Box leaves. The unrelenting cold makes this the perfect beach read.Pub Date: July 28, 2015
ISBN: 978-0-312-58321-7
Page Count: 272
Publisher: Minotaur
Review Posted Online: April 21, 2015
Kirkus Reviews Issue: May 15, 2015
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
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