A dark and lovely tale of supernatural vengeance and self-destruction.

THE ART OF STARVING

A bullied gay boy harnesses trippy, starvation-induced powers to avenge the disappearance of his beloved sister.

Gay, Jewish, white, self-deprecating Matt hates his name but hasn’t changed it because honesty is the best policy. And he is honest, quickly establishing that he has suicidal thoughts and homicidal reveries and his family is at the bottom of the financial food chain. That forthright tongue isn’t fully reflective though, refusing to admit that his body dysmorphia and calorie counting = eating disorder. When he discovers that extreme starvation heightens his senses, the world around him begins to clarify (he can follow scents like a hound and read minds like a clairvoyant as his body slowly degenerates). Convinced that a triptych of king bullies, one of whom is dark and dreamy Middle Eastern Tariq, on whom he hates having a massive crush, is responsible for the disappearance of his older sister, Matt focuses his supernatural gift on them, hoping both to find his sister and to systematically destroy the high school ruling class—even if Tariq might secretly be into him. In first-person journal format, Matt schools readers on the art of starving as he toes the line between expiration and enlightenment, sparing no detail of his twisted, antagonistic relationship with his body. Matt’s sarcastic, biting wit keeps readers rooting for him and hoping for his recovery. In his acknowledgments, Miller reveals the story's roots in his own teen experiences.

A dark and lovely tale of supernatural vengeance and self-destruction. (Fiction. 14-18)

Pub Date: July 11, 2017

ISBN: 978-0-06-245671-7

Page Count: 384

Publisher: HarperTeen

Review Posted Online: April 17, 2017

Kirkus Reviews Issue: May 1, 2017

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In the end, it’s just another violent dystopian series opener for all its yellow-brick veneer, but it’s a whole lot more fun...

DOROTHY MUST DIE

When a cyclone deposits a 21st-century Kansas teen in Oz, she and readers discover there’ve been some changes made.

Dirt-poor “Salvation Amy” Gumm lives in a trailer park, effectively parenting her alcoholic mom (her dad ran off years ago), who seems to care more about her pet rat, Star, than her daughter. That doesn’t mean Amy is eager to be in Oz, particularly this Oz. Tyrannized by a megalomaniacal Dorothy and mined of its magic, it’s a dystopian distortion of the paradise Baum and MGM depicted. In short order, Amy breaks the wholly capricious laws and is thrown into a cell in the Emerald City with only Star for company. There, she’s visited first by the mysterious but sympathetic Pete and then by the witch Mombi, who breaks her out and takes her to the Revolutionary Order of the Wicked (among whom is the very hot Nox). Amy may well be the salvation of Oz—only someone from the Other Place can take Dorothy down. Paige has clearly had the time of her life with this reboot, taking a dystopian-romance template and laying it over Oz. Readers of Baum’s books will take special delight in seeing new twists on the old characters, and they will greet the surprise climactic turnabout with the smugness of insiders.

In the end, it’s just another violent dystopian series opener for all its yellow-brick veneer, but it’s a whole lot more fun than many of its ilk. (Dystopian fantasy. 14 & up)

Pub Date: April 1, 2014

ISBN: 978-0-06-228067-1

Page Count: 464

Publisher: Harper/HarperCollins

Review Posted Online: March 3, 2014

Kirkus Reviews Issue: March 15, 2014

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With appeal to cynics and romantics alike, this profound exploration of life and love tempers harsh realities with the...

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THE SUN IS ALSO A STAR

Natasha and Daniel meet, get existential, and fall in love during 12 intense hours in New York City.

Natasha believes in science and facts, things she can quantify. Fact: undocumented immigrants in the U.S., her family is being deported to Jamaica in a matter of hours. Daniel’s a poet who believes in love, something that can’t be explained. Fact: his parents, Korean immigrants, expect him to attend an Ivy League school and become an M.D. When Natasha and Daniel meet, Natasha’s understandably distracted—and doesn’t want to be distracted by Daniel. Daniel feels what in Japanese is called koi no yokan, “the feeling when you meet someone that you’re going to fall in love with them.” The narrative alternates between the pair, their first-person accounts punctuated by musings that include compelling character histories. Daniel—sure they’re meant to be—is determined to get Natasha to fall in love with him (using a scientific list). Meanwhile, Natasha desperately attempts to forestall her family’s deportation and, despite herself, begins to fall for sweet, disarmingly earnest Daniel. This could be a sappy, saccharine story of love conquering all, but Yoon’s lush prose chronicles an authentic romance that’s also a meditation on family, immigration, and fate.

With appeal to cynics and romantics alike, this profound exploration of life and love tempers harsh realities with the beauty of hope in a way that is both deeply moving and satisfying. (Fiction. 14 & up)

Pub Date: Nov. 1, 2016

ISBN: 978-0-553-49668-0

Page Count: 384

Publisher: Delacorte

Review Posted Online: Aug. 2, 2016

Kirkus Reviews Issue: Sept. 1, 2016

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