A dark and lovely tale of supernatural vengeance and self-destruction.
A bullied gay boy harnesses trippy, starvation-induced powers to avenge the disappearance of his beloved sister.
Gay, Jewish, white, self-deprecating Matt hates his name but hasn’t changed it because honesty is the best policy. And he is honest, quickly establishing that he has suicidal thoughts and homicidal reveries and his family is at the bottom of the financial food chain. That forthright tongue isn’t fully reflective though, refusing to admit that his body dysmorphia and calorie counting = eating disorder. When he discovers that extreme starvation heightens his senses, the world around him begins to clarify (he can follow scents like a hound and read minds like a clairvoyant as his body slowly degenerates). Convinced that a triptych of king bullies, one of whom is dark and dreamy Middle Eastern Tariq, on whom he hates having a massive crush, is responsible for the disappearance of his older sister, Matt focuses his supernatural gift on them, hoping both to find his sister and to systematically destroy the high school ruling class—even if Tariq might secretly be into him. In first-person journal format, Matt schools readers on the art of starving as he toes the line between expiration and enlightenment, sparing no detail of his twisted, antagonistic relationship with his body. Matt’s sarcastic, biting wit keeps readers rooting for him and hoping for his recovery. In his acknowledgments, Miller reveals the story's roots in his own teen experiences.
Pub Date: July 11, 2017
ISBN: 978-0-06-245671-7
Page Count: 384
Publisher: HarperTeen
Review Posted Online: April 16, 2017
Kirkus Reviews Issue: May 1, 2017
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
A troubling depiction of an unhealthy relationship.
A battered girl and an injured rugby star spark up an ill-advised romance at an Irish secondary school.
Beautiful, waiflike, 15-year-old Shannon has lived her entire life in Ballylaggin. Alternately bullied at school and beaten by her ne’er-do-well father, she’s hopeful for a fresh start at Tommen, a private school. Seventeen-year-old Johnny, who has a hair-trigger temper and a severe groin injury, is used to Dublin’s elite-level rugby but, since his family’s move to County Cork, is now stuck captaining Tommen’s middling team. When Johnny angrily kicks a ball and knocks Shannon unconscious (“a soft female groan came from her lips”), a tentative relationship is born. As the two grow closer, Johnny’s past and Shannon’s present become serious obstacles to their budding love, threatening Shannon’s safety. Shannon’s portrayal feels infantilized (“I looked down at the tiny little female under my arm”), while Johnny comes across as borderline obsessive (“I knew I shouldn’t be touching her, but how the hell could I not?”). Uneven pacing and choppy sentences lead to a sudden climax and an unsatisfyingly abrupt ending. Repetitive descriptions, abundant and misogynistic dialogue (Johnny, to his best friend: “who’s the bitch with a vagina now?”), and graphic violence also weigh down this lengthy tome (considerably trimmed down from its original, self-published length). The cast of lively, well-developed supporting characters, especially Johnny’s best friend and Shannon’s protective older brother, is a bright spot. Major characters read white.
A troubling depiction of an unhealthy relationship. (author’s note, pronunciations, glossary, song moments, playlists) (Romance. 16-18)Pub Date: Nov. 28, 2023
ISBN: 9781728299945
Page Count: 626
Publisher: Bloom Books
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
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