by Sam Rennick ‧ RELEASE DATE: Sept. 3, 2019
A long but well written story of friendships and growth in the 20th century.
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A sprawling debut novel focuses on two men and their perspective-shifting friendship.
This book opens in 1968, as Alan Young fails his United States Naval Reserve physical. But the ailment is minor and the prospect of being sent to Vietnam becomes a possibility. Alan throws himself into campaigning for Eugene McCarthy for president in the meantime and makes his way through the end of college with his friends, particularly Stefan Kopinski. When Alan is drafted after graduation, he declines his influential father’s attempts to find a safe role for him and decides to immigrate to Canada. He deals with the challenges of expatriate life, finds and loses new friends, and eventually marries Jeanne McCarran, the daughter of his Canadian mentor. After Jeanne gives birth to their daughter, Mary, Alan has a crisis of conscience and decides to return to America to stand trial for evading the draft. Jeanne follows him and makes a new life for herself in St. Louis, where the family settles after Alan is released from prison. The book’s second part follows Stefan, who heads to law school after college and gradually stops responding to Alan’s frequent letters. When Alan has a mental breakdown, Stefan reluctantly goes to see him. As he reconnects with Alan, he begins to reevaluate his life, including his relationships with his wife, ex-wife, and daughters. Ultimately, Stefan decides to leave his law firm to fight for the change he wants to see in the world.
Rennick is a thoughtful writer and makes insightful observations about men’s relationships with one another as well as exploring broader questions of commitment and obligation in employment and marriage. The tale’s omniscient narrator has a tendency to wrap the storytelling in various pronouncements (“The McCarthy campaign, weakening daily, was not so perceived by Alan, who remained optimistic and immensely dedicated”). These, along with the lengthy tangential dialogues on topics like Quebec’s independence movement, are well written, but may be too much at the periphery for readers who prefer a more concise narrative. (The book’s 546-page length is also assisted by a 20-page depiction of the dream that inspires Alan to accept his punishment for draft evasion and a detailed look at the inner life of the man who sues one of Stefan’s clients for employment discrimination.) Though some of the female characters eventually develop into well-rounded contributors to the overall plot, nearly all are introduced with an assessment of their physical attributes (“She had fine, firm hips and superbly proportioned thighs and calves”; “the shapely girl who was leading them to their seats”; “her bosom was large”; “her bulging breasts”; “unquestionably still an attractive woman, despite a rough menopause not quite played out”). For several women, their sexual availability is their defining characteristic. But the story’s principal players are for the most part thoroughly developed and exist to make substantive contributions to the plot and themes. Although the page count may deter some potential readers, the novel is on the whole an enjoyable read, and one that feels easier and much less daunting than it may seem at first glance.
A long but well written story of friendships and growth in the 20th century.Pub Date: Sept. 3, 2019
ISBN: 978-1-948261-20-3
Page Count: 562
Publisher: Hugo House Publishers
Review Posted Online: March 13, 2020
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: Feb. 6, 2024
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
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by Leigh Bardugo ‧ RELEASE DATE: April 9, 2024
Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.
In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.
Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.
Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.Pub Date: April 9, 2024
ISBN: 9781250884251
Page Count: 400
Publisher: Flatiron Books
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
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by Leigh Bardugo ; illustrated by Dani Pendergast
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